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Festivals / Events

Region 3 - Central Luzon

  • Date: 14.06.2012
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Aguman Sanduk (Fellowship of the Ladle)
Date January 1
Venue Minalin, Pampanga
Description The Aguman Sanduk of Minalin is celebrated in the afternoon at 2 p.m., January 1 (start at Sto. Domingo Church), while the rest of the country takes a break from the previous night's New Year revelry, and there's no one to catch the boys and men of this sleepy fishing town wear their mother's lipstick and put on their wive's dresses. The strange and largely secret tradition began in 1934; even Mayors and parish priests are said to have also joined hundreds of men who parade annually on the street in full transvestite bloom. At the end of the day they choose the Aguman queen, who is usually the ugliest of the cross-dressers.
Contact Engr Eduardo Rivera, Municipal Planning & Development Office (MPDC)
Tel. No. (63 45) 878-0306 / 0919-557-4019 Email mpdcminalin@yahoo.com Website www.minalin.com.ph

Anao Town Fiesta
Date March 14-16
Venue Municipality of Anao, Tarlac
Description Founding anniversary of the town of Anao in Tarlac featuring events such as Miss Anao beauty pageant, street dancing, games called Laro ng Lahi para sa Kabataan, non-stop ballroom dancing and thanksgiving mass. Contact Maria Rozet Bagayat (Municipal Tourism Officer) Phone (63 45) 493-2023 Email anaofiesta08@yahoo.com Website www.anaotarlac.com

Angel Festival
Date September 29
Venue San Rafael, Bulacan
Description The Angel Festival in San Rafael, Bulacan is an extravagant parade where thousands of young people dance on the streets as "angels dressed in colorful and magnificent costumes" and as symbol of the choirs of angels coming down from heaven to walk on the streets traversed by man. It is held on September 29, the feast day of the town's parton saint, San Rafael Archangel. Since 1992 when the festival started, the event never fails to draw the attention of a massive crowd to witness the angels dance. The annual celebration not only adds meaning to the rich cultural heritage of the town of San Rafael but also intensifies and deepens the devotion of people towards the Divine Healer amd Guide of the Christian pilgrim. Contact Councilor Alvin Violago (Municipal Tourism Officer) Phone (63 44) 761-5556 / 5557 / 5557 Website www.municipalityofsanrafael.gov.ph

Apung Iru Fluvial Parade
Date June 28 - 30
Venue Apalit, Pampanga
Description The Apung Iru Fluvial Parade in Apalit, Pampanga begins on June 28 when the ivory image of St. Peter, sitting on a papal throne, is transferred by boat from its permanent shrine in Brgy. Capalangan to Brgy. Sulipan, and culminates on June 30 when the image is returned. Thousands of devotees line both sides of the river shouting, waving leaves and flowers, and splashing in frenzy as the layered pagoda bearing the statue passes by accompanied by hundreds of boats. The floating pagoda, which bears the brass band and about 70 people dancing the traditional Kuraldal, is pulled along the river by swimmers who call themselves the Knights of St. Peter. During the fluvial procession, thousands of revelers on the riverbanks perform the annual shower of packed food containing boiled eggs, rice, and canned sardines meant for the swimmers. The annual event never fails to attract thousands of local and foreign tourists. Contact Jedd Dalusung (Municipal Tourism Officer) Phone (63 45) 302-8853 / 5233 / 7033 Website www.apalitpampanga.com

Araquio of Penaranda
Date Last Sunday of May
Venue Penaranda, Nueva Ecija
Description Held every 2nd Sunday of May, in Penaranda, Nueva Ecija, the Araquio Festival is a traditional procession and dramatization of the finding of the Holy Cross by St. Helena and her son, the Emperor Constantine, where Jesus Christ was crucified. Similarly, the komedya or moro-moro carries on in some villages such as Poblacion (2nd Sunday of May), Las Pinas (May 11 - 12), Sto. Tomas (1st Sunday of May), San Jose (3rd Sunday of May) and Pinasahan (May 21-122). Dating back from the Spanish colonial period, the festival features vivacious beats of brass bands, spirited choreography and moving voices embraced with a daunting literary piece. Written in ancient Tagalog, the script tells about the feud of the Muslims and Christians that started over territories. It shows how Christians used the power of the cross symbolizing their faith in defeating the Muslims, who later retaliated by way of stealing the cross from them. Many battles preceded the retrieval of the cross, which in the end led to the Christening of the Muslims. Contact Joseph Mabalay (Municipal Tourism Officer) Mobile 0906-331-9011

Aurora Foundation Day
Date Feb 14-19
Venue Baler, Aurora
Description The most awaited event during the celebration of the annual Aurora Foundation Day is the so-called 'Karansa': a Street Dancing Competition where the concept of cooperation and unity called 'Paatag' prevails as the overall theme of the day's hilarious activities. The weeklong activity includes singing and dancing competition, parade of the eight towns of the province with matching thematic floats and beauty queens, Search for Bb. Aurora and a streetside tourism and investment exhibits. The festival culminates in a beach party and fireworks display. A wreath-laying ceremony takes place at the foot of the monument of Dona Aurora Quezon before the end of the festival. Contact Michael Palispis Phone (63 42) 209-4373/4211 Mobile 0921-320-7015 Email tourism_aurora@yahoo.com Website www.aurora.ph

Aurora Surfing Cup
Date 1st Week of February
Venue Baler, Aurora
Description Every February, the province of Aurora plays host to the Aurora Surfing Cup, which through the years, has established a steady following of local and international surfing enthusiasts. The province boasts of internationally recognized surf sites such as Sabang Beach (beach break), Cemento Beach (reef break), and Charlie's Point (river mouth break). The best waves in these areas come around October to March. Contact Charlotte Mora Madarang (Supvg Tourism Officer) Mobile 0921-320-7015 Email tourism_aurora@yahoo.com website www.aurora.ph

Balik - Sigla Festival
Date January 19-20
Venue Tarlac City
Description A festival featuring street party, float parade, beauty pageant, singing competition, boxing competition and grand ballroom Contact Tarlac City Tourism Office Augusto Bautista - City Tourism Officer Phone (63 45) 982-4051 Mobile 0927-830-9494 Email gst_bautista@yahoo.com Website www.tarlacity.com

Belenismo sa Tarlac: The Art of Making Belen
Date 1st Saturday of December (awarding)
Venue Province of Tarlac
Description The campaign to create an annual tourist attraction for Tarlac and at the same time develop a Belen-related cottage industry while preserving the religious importance of remembering the birth of Jesus Christ has gained ground with the launch in December 2007 of "Belenismo sa Tarlac," a project initiated by a group led by Ms. Isabel Cojuangco-Suntay that seeks to transform the province into the "Belen Capital" of the Philippines. Belenismo in Spanish means "the art of making Belen, a representation of the Nativity scene in which the Holy Family (Joseph, Mary and the infant Jesus) is visited by the three wise men who came to the manger through the guidance of a star. During the Yuletide season, entries to the competition ranging from larger than life-size, personal, monumental, to dioramas are displayed in various places around the province while the smaller dioramas are housed at the Museo de Tarlac. (Source: Philippine Daily Inquirer dated December 25, 2007, authored by Russell Arador)
Contact Engr. Elmer Bulaon (Project Development Officer) Phone (63 45) 628-0021 Mobile 0928-743-2030 Email pio_tarlac@yahoo.com

Calumpit Libad Festival
Date June 24
Venue Calumpit, Bulacan
Description The colorful event is celebrated on June 24, the day before the fiesta, when a fluvial procession in honor of the town's patron saint, St. John the Baptist, is held on the Pampanga river which is made more festive by the presence of a host of decorated pagodas and bancas of every barangay. While the procession goes on, people dance while townsfolk watch in merriment along the riverbanks, and the traditional "Basaan" (water splashing) including the throwing of plastic-packed food keep people on their toes. Contact Avelina Vicente (Municipal Tourism Officer) Phone (63 44) 675-1892 Email mpdc_calumpit@yahoo.com Website www.calumpit.com.ph

Caragan Festival
Date 3rd Week of February (every three years)
Venue, Mabalacat, Pampanga
Description Held every 3rd week of February as part of the month-long celebration of the town fiesta of Mabalacat, Pampanga, the event is named after the first chieftain or king known as Garagan of the said town who happens to be an Aeta and married to a Mabalaquena named Laureana Tolentino. The highlight of the festival is the street parade featuring all of Aeta culture and heritage. Contact Edgardo "Guy" Hilbero (Municipal Tourism Officer) Phone (63 45) 499-1126 Mobile 0922-859-6663 Email guy_indra@yahoo.com Website www.mabalacat.gov.ph

Duman Festival
Date 1st Saturday of December
Venue Sta. Rita, Pampanga (Parish church patio)
Description The annual Duman Festival is a culinary exposition cum cultural show where people can eat the best Kapampangan food "al fresco" and in the comfort of traditional and contemporary Kapampangan songs and performances under the shadow of the Sta. Rita Parish Church. The festival is also in honor of the local delicacy called Duman. It is a Christmas delicacy that is made from young gluttonous rice which is a variety of palay. It originated from the tradition of pounding and winnowing unripe glutinous rice (lacatan) and turning it into a light pale gold or green delicacy called "duman." The glutinous rice is harvested just before it gets ripe and continuously pounded amidst song and merriment. During harvest, mature kernels fall off. (Source: Sunstar Pampanga, issue 11/30/08) Contact Adolfo Zapanta (Municipal Tourism Officer) Phone (63 45) 900-2277 Mobile 0918-322-0076 Email municipalitysrt@yahoo.com

RELATED ARTICLES: "Duman" is a variety of glutinous rice or "malagkit" grown only in Sta. Rita (Brgys. Sta. Monica and San Agustin). Planting begins in June and harvest is in November when the cool air keeps the rice kernels fall off. The prized duman are the young greenish kernels that stay on the stalks. The way to get the duman is to shake the stalks. The greenish grains are gathered, watered and toasted for two hours. The grain is pounded then winnowed to separate chaff from grain. Unlike the regular rice variety, which can be planted and harvested three times a year, 'duman' can only be harvested in the cool air of November and December, otherwise it will not be a bountiful one. For every hectare, a farmer can produce only a maximum of 4.5 cavans of duman, while a maximum of 300 cavans can be harvested from the regular rice variety. It is not surprising then that duman is sold at a whopping price of P800 a kilo! During the festival, everyone gets to see the rice being pounded to music provided by a "rondalla" onstage. Thick chocolate drinks are whisked with a "batidor" in a "toskolatera." There are foods for sale at the festival site -"bibingka" and "puto bumbong", barbeque and other "suman." In 2005, a special presentation from the choir called Artista.Rita directed by a Sta. Rita native, Andy Alviz (resident choreographer of Miss Saigon Manila and producer of the famous album "Kapampangan Ku"), was featured.

HOW TO GET THERE: From the North Luzon Expressway, exit San Fernando, proceed to the Olongapo-Gapan Rd., go past Max's Fried Chicken then, when you see a Total gasoline station on the left and a giant Jolibee billboard on the right, turn left on the next intersection. For info, visit http://karen.mychronicles.net/?p=39 Credits: Micky Fenix, Counry Cooking, Phil. Daily Inquirer, 12/01/05 with excerpts from Claude Tayag, Phil. Star, 12/15/05) Contact Person Office of the Mayor Tel. No. (63 45) 900-2277

Fiestang Culiat
Date October 1 - 31
Venue Angeles City
In celebration of the twin fiestas of La Naval and Pyestang Apu. Several fun-filled activities are undertaken during the month of October, among which are: Capampangan Food Festival, Parade of Floats, Cultural Nights at the Museo ng Angeles courtesy of various religious and private organizations, Kundiman ning Angeles-Rigodon de Honor, Fiestang Culiat Car Show, golf tournament, boxing match, children's olympics, and of course the now famous Tigtigan at Terakan Keng Dalan every last Friday and Saturday of October. Contact Kuliat Foundation, Inc. c/o Museo ning Angeles, Sto. Rosario St., Angeles City (Kim Tinio) Phone (63 45) 887-4703 Mobile 0915-421-6606 Email angelesmuseo_kfi@yahoo.com Website www.angelesmuseum.com

Galunggong Festival
April 14-15
Brgy. Sabang, Morong, Bataan
Celebrated during the Araw ng Mangingisda (Fisherman's Day) in May, the festival features activities like fun run, fluvial parade, coastal cleanup, cooking contest and parlor games. Highlight of the event is the Galunggung Festival which features the lowly mackerel scad (Decapterus Macarellus), a common fare in everyone's dining table. The event is organized by the Morong Municipal Fisheries and Aquatic Resources Resources Management and the Sangguniang Barangay of Sabang. The celebration is intended to raise public awareness on the importance of of the fisherfolk sector to the provision of of daily food to the community.

Gatas ng Kalabaw Festival
May 12-15
Talavera, Nueva Ecija
Celebrated during Farmers’ Week, the festival aims to actively encourage, promote and enhance carabao’s milk as a nutrition and livelihood industry. Highlight of the festival is street dancing followed by float parade, parade of carabaos, carabao race, agri-trade fair, milk drinking contest, ice cream making competition, among others. Contact Elman "Sonny" Maniquis (Municipal Tourism Officer) Phone (63 44) 411-1977 / 7950 Mobile 0917-995-8126 Email elmaniquis@hotmail.com / mtio_talavera@yahoo.com

Giant Lantern Festival (Ligligan Parul)
Date Saturday before December 25
Venue City of San Fernando, Pampanga
Description: Rising at 18 feet in diameter and fitted with close to 7,000 bulbs that blink on and off through a number of rotors in sync with a medley of Filipino Christmas songs, these giant lanterns let out not less than 10 designs that feature geometric shapes, flowers, fans, cones and hearts glowing in all colours of the rainbow. The exhibition is usually capped by the opening of the innermost circle in half to reveal in full bloom what the lantern makers designed to be the showcase of their presentation like the image of the Sacred Heart of Jesus to the grand applause from a crowd estimated at 20,000 each year. The festival is participated in by some 8-10 villages of the City San Fernando in Pampanga with each one creating its own design, colour combination and interplay of lights and sound. The city is known as the lantern capital of the Philippines.

HISTORY: The San Fernando lantern industry evolved from the Giant Lantern Festival of San Fernando. The festival, which is held every December, finds its root in Bacolor where a much simpler activity was held. Following the transfer of the provincial capital from Bacolor to San Fernando in August 1904, this parul event followed as well. Ligligan Parul was said to have started in San Fernando in the year 1904. But some say that the Ligligan Parul did not happen immediately after the transfer and in fact began in 1908. This predecessor of the modern day Giant Lantern Festival was actually a religious activity which we know today as lubenas. The lanterns measured just two feet in diameter, a far cry from the fifteen feet that we see today. These were created in each barrio from bamboo and other locally available materials. During the nine-day novena before Christmas, which coincided with the simbang gabi from December 16 to 24, these paruls were brought around each barrio in procession to their visita. Before the midnight Mass on Christmas Eve, the lanterns were brought to the town church together with the barrio patrons. This tradition gradually evolved as the lanterns became bigger and the designs more intricate. Later, one big lantern was made for each barrio, which was created through a cooperative effort. Each resident contributed to its construction, from the concept and design to the materials and labor. In the end, these lanterns became a symbol of unity for the barrios. It was in the year 1931 that electricity was introduced to the San Fernando lantern, thus sparking the birth of the first Giant Lantern Festival. The added illusion of dancing lights highlighted the bright colors and intricate designs of these Giant Lanterns. At this time, the lights were controlled by individual switches that were turned on and off following the beat of the music. The barangays of Del Pilar, Sta. Lucia and San Jose were among the first barangays to participate in the festival. According to another version claimed by old folks, the Giant Lantern Festival started during the time of President Manuel L. Quezon. At that time, President Quezon was trying to make Pampanga a model province. In fact, Quezon made Arayat his resting place and converted the legendary Mount Arayat into a tourist resort. As a show of gratitude to Quezon, the people of San Fernando held a Christmas lantern contest to honor the first family. Quezon himself donated the prize for this lantern contest which was personally awarded to the winner by First Lady Aurora Aragon Quezon. FERNANDINO CREATIVITY AT WORK: In years that followed, more innovations were introduced to the giant lanterns. Colored plastic replaced the traditional papel de hapon. Large steel barrels called rotors also substituted that hand-controlled swithches to manipulate the lights. Strips of masking tape on these rotors determine the sequence of the switching on and off of the lights. The technology of the rotor is quite simple. Hairpins, attached to the end of the wires leading to each bulb, connect the lights to the rotor, which in turn, is connected to the source of electricity. Strips of masking tape are placed on the metal rotor to serve as light switches. As the rotor is turned, the hairpins pass through the strips of masking tape. When a certain hairpin hits a strip of masking tape, the current to a specific set of bulbs is temporarily cut thus switching off that particular set of bulbs. When that particular hairpin regains contact with the steel barrel, the bulbs are again lit. Thus, the placement of the masking tape on the rotors determines the interplay of lights on the lanterns and can spell success or disaster for each entry. Thinking about it, one needs a lot of creativity and technical know-how in designing a giant lantern. It is not as easy as getting a pen and paper and drawing a symmetrical design. As the giant lantern maker visualizes his design, he also has to into consideration the interplay of lights and colors. And just to illustrate the magnitude of difficulty, the designer should be able to picture when each of the 3,500 light bulbs should go and off. And just to stress, no computers are involved in the interplay of lights. Everything is done manually, yet the result produced by the lantern makers of San Fernando can even rival light effects done by computers The design, however, is just a part of the actual labor involved in the creation of a giant lantern. Once this has been finalized, the lantern makers weld together a steel frame, which follows the design itself. This is the first step in the actual construction of the giant lantern. The frame is then lined with cardboard and foil. This is followed by another monumental task, placing the over 3,000 light bulbs in their proper places and wiring them up together. Even an expert electrical engineer would go crazy while working on this intricate network composed of hundreds of yards of electrical wires. The wires are then connected to the rotors. And let me stress rotors with an 's' since barangays have to change the interplay of lights with each tune. In fact, some barangays even use as much as eight to ten of these steel barrels for variety in movement. Finally, there is of course the plastic covering, which is cut and shaped precisely to fit each section. The Giant Lantern Festival is an inter-barangay contest. In past festivals, it really was a barangay effort and the best lantern makers of the barangay were called on to create the entry to the competition. During that time, each participating barangay had resident lantern makers. However, as years passed, many of these lantern makers were unable to pass on the trade. Today, only Del Pilar, Sta. Lucia, Dolores and San Jose can boast of resident lantern makers. So to keep the show on the road, other barangays have to rely on lantern makers from other localities. One of these commissioned giant lantern makers is Ernesto D. Quiwa of Barangay Sta. Lucia. Although from Sta. Lucia, he has actually created entries for other barangays. During the 2000 Giant Lantern Festival, Mang Erning created the entry for Barangay San Nicolas, which was adjudged the over-all champion for that year. His creations have in fact won the over-all honors in previous years including 1974, 1982, and a three-peat from 1993 to 1995. For the 2001 lantern competition, he again made the one for San Nicolas. In fact, aside from Sta. Lucia's own entry and the entry of San Nicolas, it is said that two other lantern entries were being made in the same barangay. (Credits: www.cityofsanfernando.gov.ph written by Anthony Ivan Henares) | Contact Ma. Lourdes Carmela Jade "Ching" Pangilinan (City Tourism Officer), Phone (63 45) 961-5684/ 3328 loc 211 Email sanfernandotourism@yahoo.com Website www.cityofsanfernando.gov.ph

Ibon-Ebon Festival
Date 1st Week of February
Venue Candaba, Pampanga
Description One of the more colorful events in Pampanga, the Ibon Ebon Festival (literally means 'bird - egg') initiated by Mayor Jerry Pelayo features the municipality of Candaba as the home of thousands of migratory birds from different parts of the globe, and at the same time showcase its growing duck-egg industry. Among the activities featured during the two-day event include: street-dance performance by Tribung Dumara and other schools' contingents, exhibits and trade fair at the Ms. Earth Park, bird-inspired fite flying exhibition, itik race and boat race along Pampanga river.

BACKGROUND INFORMATION:

CANDABA SETS FIRST IBON-EBON FESTIVAL

Based on last year’s bird records and the results of the Asian Waterbird Census of this year, Candaba’s conservation effort works. At the same time, Candaba’s food production, including duck eggs, continues to grow.

The local government of Candaba led by Mayor Jerry Pelayo believes it is time to celebrate.

To further enhance awareness on Candaba’s twin efforts to promote ecotourism and food production, the first IBON EBON FESTIVAL of Candaba, a multi-activity festival featuring the now internationally popular birds (Ibon) of Candaba and the municipality’s growing duck-egg (Ebon) industry, will be held on February 1-2, 2008.

Mayor Pelayo wishes to share the festival with the various municipalities, schools and organizations since the festival message and intent is not only for Candaba but for the province and the rest of the country as well: “A balance between the needs of the people and those of the environment.”

Candaba’s Bird Record

In 2007 three new records were set by Candaba for the country’s bird history.

On December 17, 2007, a rare migrant to our islands, a new site record for Candaba - the Great Cormorant (Phalacrocorax carbo), was photographed by Romy Ocon, a known bird photographer.

And 3 days after on December 20 last year, Ocon again photographed at the same site, the Candaba Swamp Wildlife Reserve, another rare migrant bird species, the White-shouldered Starling (Sturnus sinensis), only known from 6 records in the country from 15 September to 25 March of the migration period, all before 1911 according to the Kennedy Guide on Philippine birds.

And finally on December 30, a really rare Eurasian Spoonbill (Platalea leucorodia), shown below, was photographed by Tina and Wency Mallari at the same site. This is the first known record of this bird species in the country.

The results of the Asian Waterbird Census for 2008, the fourth to be conducted in Candaba, showed a 4-year high record of more than 17,000 birds comprising 49 species counted at the Candaba Swamp Wildlife Reserve.

The bird count was done with the combined efforts of the Protected Areas and Wildlife Bureau of the DENR, Wild Bird Club of the Philippines, Kaakbay Community Development Initiatives and the local government of Candaba with the special participation of Ambassador Robert Brinks of the Netherlands.

The bird in the logo is the wild Philippine Duck, locally known as dumara and its scientific name is Anas luzonica. It is endemic to the country and now succesfully breeds in the Candaba Swamp. In the logo it shows hugging a domestic duck (itik) egg sitting on green grass symbolizing a healthy relationship between nature conservation and food production.

Patron Saint of the Birds of Candaba

The feast of San Nicolas de Tolentino (St. Nicholas of Tolentino) every September 10 has been associated with the coming of the migratory tarat (Brown and Long-tailed Shrikes) in Candaba. The image of San Nicolas in Candaba with a bird on a platter on his hand is now under the care of the family of Mayor Pelayo and is honored with a procession during his feast day and the traditional giving out of San Nicolas cookies. It is said that San Nicolas is a vegetarian and once he was served a roasted fowl. Instead of eating it he made a sign of the cross over it and it flew away. Over 300 miracles are attributed to him. San Nicolas will be honored during the Ibon-Ebon Festival. Contact Leny Manalo (Municipal Tourism Officer/Municipal Administrator) Phone (63 45) 632-1299 / 1339 Mobile 0917-324-5038 Email lenymanalo@yahoo.com

Kariton Festival
Date Last Saturday of March
Venue Licab, Nueva Ecija,
Kariton,which means rig-cart drawn by carabao, is celebrated during the annual celebration of the founding anniversary of Licab town on March 28. Kariton plays a significant part in the history of Licab. Don Dalmacio Esguerra, the town’s founding father, used kariton when he left San Nicolas, Ilocos Norte until he finally settled and found this town in Licab. In fitting recognition of the significance of this very important farm equipment, the LGU of Licab adopted “Kariton Festival” as the town’s official festival. The event features a parade of colorfully-dressed kariton floats, Search of Outstanding Licabenos, Agri-aqua trade fair and beauty pageant. Contact details: Licab Municipal Tourism Office, Marilyn Mendiola Phone (63 44) 940-2857 Mobile 0917-647-1612 Email marilyn_leny16@yahoo.com

Kuraldal
Date Jan 10
Venue Sasmuan, Pampanga
Description The Kuraldal of Sasmuan occurs during the week of the town fiesta on January 6, when Kapampangans from neighboring towns gather in front of the chapel of St. Lucy and dance for favors all night. As soon as the mass ends at 8:00 p.m., the rowdy entry of the brass band signals the start of non-stop dancing that lasts till 3:00 a.m. Barren women are said to get pregnant after the festival. What is unique about this event is the mix of pagan and Christian elements shown in the tribal beat that the crowd dances to, and the rowdy adulation around the statue of St. Lucy. Contact Paciencia Suing (Municipal Tourism Officer) Phone (63 45) 900-2504 Mobile 0916-647-5253 Email phaz924@yahoo.com
 

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Obando Fertility Dance
Date May 17 - 19
Venue Obando, Bulacan
Description Devotees from all over dance their way to find a lover or be rewarded with a child on the feast days of San Pascual Baylon, Sta. Clara de Asis and La Concepcion de Nuestra known as Virgen de Salambao every May 17 - 19. Be enthralled by rythmic dances of men and women accompanied by traditional brass bands - all garbed in Filipiniana attire. RELATED INFORMATION (Source: www.bulacan.gov.ph): Each year, this glorious hymn (Sta. Clarang Pinungpino...) could be heard as the devotees stamp their feet, wave their hands and sway their hips towards the Obando Church during the three-day celebration in honor of San Pascual Baylon on the 17th, Santa Clara on the 18th and the Virgen de Salambao on the 19th of May. The authenticity of the Obando Fertility rites is referred to in Dr. Jose Rizal's Noli Me Tangere where Dona Pia Alba had to dance the pandanggo in Obando in order to bear a child who was Maria Clara. Graced with unrestrained enthusiasm, the age-old tradition of Obando, Bulacan is a restatement of the belief that childless couples can still be blessed with a sibling if they implore the aid of patron saint Santa Clara, while other pilgrims invoke the saints' intercession for a wife or husband, and sometimes for good fortune. The celebration is held in Obando, Bulacan, where its friendly people offer accommodation and food for their house guests with one condition, that in return for their stay, the guests have to purchase the candle the Obando folk sell. LEGEND OF THE FERTILITY DANCE: It is believed that the fertility dance originated from a miracle performed by Saint Pascual Baylon (San Pascual Baylon) who was a member of the Franciscan Order. He was very much blessed by the Holy Spirit, and to show his adoration and respect for God, he usually danced merrily and with great devotion. Many miracles were attributed to San Pascual Baylon. A story related that San Pascual Baylon sometimes visit villages in Obando and other neighboring towns disguised as a vinegar peddler. He then advised couples to go to the Obando Church to pray for a child. Many followed the advice and to their surprise, the image of San Pascual Baylon resembled that of Pascual, the vinegar peddler. Believing that what happended to them was a miracle, they danced with joy in front of the altar. And a few months later, many couples' faith was rewarded with a happy baby. The account of the miracle spread and was told and retold a thousand times, and soon devotees began flocking to Obando during the feast day of San Pascual Baylon on May 17 to perform the annual fertility dance.

RELATED ARTICLES:

THE THREE PATRON SAINTS

ST. Claire (Santa Clara) is a nun from Assisi, Italy during the 13th century. She established a congregation popularly known as “Pobres Claras” in honor of the teaching of St. Francis of Assisi.

She is said to be the patron saint of good weather because of what her name implies in Spanish. The name Claire in Spanish means clear or unclouded atmosphere after a rain, that’s why a lot of devotees believed that offering of eggs before St. Claire is an effective form of prayer to cast away bad weather. Eggs were used as offering because the name Claire is said to be delivered from the Spanish word “claro” which pertains to albumen or egg whites.

At present, St. Claire is likewise known in the world of mass media as the patron saint of televising.

History reveals that St. Claire was the first patron saint known in Obando this is because the Franciscan friars first brought the statue of St. Claire in Obando, after which, they encouraged the natives of Obando to become Catholics. Little by little, dancing performed by the natives before their gods during rituals was converted into a dance in honor of St. Claire.

St. Paschal Baylon (San Pascual Baylon) was introduced to the people of Obando in the 18th century by a parish priest assigned to build th Obando church.

St. Paschal’s surname “Baylon’ means dancing in Spanish. There were numerous anecdotes appertaining to the miracle done by St. Paschal, one of which is a story which relates that there was once a couple from hagonoy, Bulacan who chanced upon a peddler selling crabs, that later invited the former to attend the festivities in Obando, the couple succumb to the invitation. When the couple paid a visit to Obando church to hear mass, they were astonished when they saw the semblance between the statue of St. Paschal in the altar and the peddler whom they met.

At present, St. Paschal, is also believed to be the patron saint of childless couples.

Our Lady of Salambao (Mahal na Birhen ng Salambao) completes the triumvirate. The Virgin of Salambao was brought to Obando in the 19th century. Two fishermen by the names of Juan and Julian dela Cruz were busy fishing in Binoangan, Tambobong (Malabon) when they unexpectedly caught in their fish nets (Salambao) the image of the Virgin. According to old folktales, when the two fishermen were about to bring the image of Virgin to Navotas, their boat suddenly became heavy that they cannot move towards Navotas, and when they decided to bring the image instead to Obando, their boat lighten enabling them to sail again smoothly. From then on, the image was named as Our Lady of Salamao and was since then enshrined in the altar of Obando church.

The Virgin of Salambao is well known in Obando for being the patron saint of fishermen. She also considered as a patron saint of childless couple. (Source: Obando brochure) Contact Lorna Marquez (Municipal Tourism Officer) Phone (63 2) 299-1234 Email obando07oeg@gmail.com

Olongapo Grand Mardi Gras
Date October 27 - 29
Venue Olongapo City (Central Business District)
Description A festival featuring street-dancing along Magsaysay Ave. with acoustic bands and stand-up comedians playing to the merriment of residents. Highlight of the event is the Halloween parade participated in by SBMA officials and employees, locators and school students garbed in the scariest costumes on board Halloween-themed floats. Contact Lorelei Montoya (City Tourism Officer) Phone (63 47) 224-1471 Mobile 0908-964-9922 Email lei_montoya@yahoo.com Website www.olongapocity.com.ph

Pagibang Damara Festival
Date April 19-22, 2012
Venue San Jose City, Nueva Ecija
Description Hundreds of years ago, here in Central Luzon, particularly in San Jose, landlords in the haciendas made the farmers build the “damara”, just before planting time of palay. A “damara” is a makeshift shelter made from kawayan (bamboo) and nipa, built at the center of ricefields as a protection from the sun’s heat or from rain. Over the years, it has been tradition that after all the harvests were safely brought home, the “damaras” are demolished (“ginigiba”). People then start celebrating together for the bountiful harvest. Today, unlike in older days, wherein people celebrate separately in their barangays, San Jose City now celebrates as one big family. The after-harvest celebration has become a multi-sectoral effort, collectively prepared, funded out of contributions (from the public and private sector), and participated in by all sections of the city. "Pagibang Damara" Festival started in 1999. Activities include: street dancing, beauty contest, tourism and trade fair, awarding ceremony and cultural shows. Contact Anthony dela Cruz Phone (63 44) 511-1744 Mobile 0916-746-0392 Email: anthonydc202@yahoo.com Website www.sanjosecity-ne.gov.ph

Pagoda sa Wawa
Date 1st Sunday of July
Venue Bocaue, Bulacan
Description Held annually on the 1st Sunday of July in the town of Bocaue, the festival features a fluvial parade in honor of the miraculous "Krus sa Wawa". A huge pagoda bearing the image of the Krus accompanied by some 200 devotees symbolizes a dramatic tradition inspired by centuries-old tales. It is believed that the mounting of such a festival assures the agricultural town of Bocaue a bountiful harvest. Pagoda sa Wawa, in the truest sense, is an exploration of the medium of the water or the river to dramatize the meaning of Christianity in the lives of the local folks. Legend says that a wooden cross was seen drifting along the Bocaue River one day of July, in the year 1850. Found at the intersection of two tributaries, the cross was left to float by a local fisherman named Crispin Mendoza and tested on which direction it would go. And when the tide led it naturally to the direction of Bocaue, it was brought immediately to the church to become the parish's principal object of veneration, eclipsing on most occasions the original patron saint of the town, Saint Martin of Tours. Boat races, nine-day prayers, games, revelry and races are all done in the river before the Miraculous Cross is transferred to the church where it will be enshrined for the entire year. Contact Liwayway Eugenio (Municipal Administrator) Phone (63 44) 692-1234/3038 Email municipalofbocaue@yahoo.com

Pandawan Festival
Date Every last week of April
Venue Pantabangan, Nueva Ecija
Description Pantabangan boasts of one of the biggest fish-producing towns in Asia. The word "Pandaw" means assurance of an abundant fresh-water catch each time the festival is celebrated. Festival features street dancing, trade fair and local competition. Contact Emisonia Gante (Municipal Tourism Officer) Mobile 0917-881-3375 Email emisoniagante@yahoo.com

Pastillas Festival
Date Month of May
Venue San Miguel, Bulacan
Description The festival is a tribute to one of the town's famous sweets - pastillas de leche (carabao milk candies). The town was formerly known as San Miguel de Mayumo, so called because it was renowned for the sweets made there. Among the events in the festival are demonstrations on pastillas cooking and the craft of making pabalat, the lacey pastillas wrappers made of rice paper.

The art of Pastillas candy making: Five pails of milk can yield only about two pails worth of pastillas. Carabao's milk and white sugar are stirred continuously over low heat until the mixture thicken. This is usually flavored with dayap (native lime). This is now cooled, cut into bite-sized cylindrical pieces and rolled in white sugar. The result is the softest, creamiest, melt-n-the-mouth candy. This is then wrapped in rice paper, whether it be fancy or plain.

Pastores Festival
Date May 1
Venue Gapan, Nueva Ecija
Description Celebrated in honor of the miraculous patron saint, Nuestra Senora dela Virgen Divina Pastora, the event features colorful, vibrant street performances.

Pawikan Festival
Date November 29-30 (movable)
Venue Brgy. Nagbalayong, Morong, Bataan
Description Pawikan Festival in Brgy. Nagbalayong, Morong was organized to intensify the information campaign and generate public awareness on the importance of endangered baby Olive Ridley turtles (Lepidochelys Olivacea are the smallest in the world) in our eco-system. The weeklong celebration is highlighted by a ceremonial releasing of Pawikan hatchlings in the blue waters off South China Sea , street dancing competition where participants are dressed gaudily in turtle-like clothing, walk for a cause, trade fair, beach volleyball, graffiti painting contest, sand castling contest, coastal clean-up project, seminars and other activities. The event is a joint project of the provincial tourism office, Bataan Tourism Council Foundation, Inc., municipal tourism council and LGU of Morong. Contact Person Caesar Cuayson (Provincial Tourism Officer) Phone (63 47) 237-4785 / 4476 Mobile 0949-680-2695 Email bataan_tourism@yahoo.om Website www.bataan.gov.ph

Paynauen 'Duyan' Festival
Date April 25 - May 1
Venue Iba, Zambales
Description Paynauen Festival in Iba, Zambales which commemorates the provincial capital's founding anniversary (founded in 1611) traces its origin from a Zambal word which means rest or pahingahan - the ancient name of Iba before the Spanish conquistadores founded the village on the shore of the Bancal River in 1611. The festival is the brainchild of Vice Mayor Benjamin Farin, Jr. It features photo competition and exhibit, sand sculpture competition, skate boarding, 2-cock derby, carabao race, beauty pageant, kite flying, banca race, boxing tournament, street dancing / Duyan Parade, among other activities. Contact Danilo Timbol mobile 0917-952-1533 email dani_timbol@yahoo.com

Philippine International Hot-Air Balloon Festival
Date 2nd Thurs-Sun of February
Venue Clark, Pampanga
Description Held every 2nd weekend of February in Clark, the annual festival features air-sporting events like hot-air balloon competition, aircraft maneuvers and precision flying, ultralights, RC Demonstration Flying, sky diving, aircarft rally, rocketeering, flag jump, balloon bursting competition, kite flying, trade fair, carnival rides and nightly concerts. The participation of international hot-air balloons from all over the world draws thousands of people to the site to witness the early morning balloon fly-out and late afternoon fly-in. The festival was initiated by the Department of Tourism in 1994 by then Secretary Mina Gabor to rescucitate the fledgling spirit of the Kapampangans - only three years following the eruption of Mt. Pinatubo. The tourism regional office led by Regional Director Ronaldo Tiotuico handled the initial stages of the project in cooperation with Clark Development Corp. and the local government of Angeles City before turning it over to the Hot Air Balloon Club of the Philippines under the leadership of Capt. Joy Roa of Air Ads, Inc. in 1999. For information on the current festival, visit www.philballoonfest.net or http://www.philskies.net/library/pihabf2008/ or send query to joyroa@flyaai.com airads@flyaai.com airads@evoserve.com Contact Person Air Ads, Inc. (Capt. Joy Roa) Tel. No. (63 2) 833-3264 / 831-4939 / 551-2780 Fax No. (63 2) 831-4939 or call mobile : 0929-314-9191 Website www.flyaai.com or www.asianairsafari.com

Pulilan Carabao Festival
Date May 14 - 15
Venue Pulilan, Bulacan
Description An annual festival featuring hundreds of water buffaloes (carabao) parading along the streets of Pulilan followed by a throng of colorful floats and farming machines - all celebrating the feat of their patron saint, San Isidro de Labrador. The popular beasts of burden are cleaned and waxed to an ebony shine, their horns festooned with garlands of flowers, and and made to take a bow before the town church by performing the traditional genuflection - an incredible feat that never fails to mesmerize local and foreign visitors. One week before the the feast day, a number of agri-related events are held in the town to primarily focus on and promote the economic development programs of the local government. Farmers hold contest such as carabao races, best crops competition and other folk children's games. Prizes are at stake for the best-looking carabao, the most skillful and the cleanest, the best themed-cart float, among other events. Contact Santos Santos (Municipal Tourism Officer) Phone (63 44) 676-1234

Pyestang Tugak (Frog Festival)
Date 1st Week of October
City of San Fernando, Pampanga
Started in 2003 to perpetuate the beautiful traditions that emerged through the years in catching and cooking frogs that used to abound in the rice fields of Pampanga. The citizens of San Fernando have reserved a special day every year to honor this amphibian because of its important contributions to the environment, the economy and culture. It also resembles the Fernandino in many ways, including its resiliency.

Tradition. The frog is part of Kapampangan tradition and culinary culture. It is said that in the early days when the farmers were totally dependent on rainwater to irrigate their farms, the children would gamely catch the frogs while their elders were busy cultivating the land or planting rice. This game eventually became an opportunity for families to establish strong bond as the technique used in catching frogs evolved to the point of being ritualistic. It was not unusual to see families lined up on top of pilapil in many rice fields with their paduas on one hand and panyapu on the other. They would patiently wait for the frogs to bite the bulating tudtud as they move the paduas in slow horizontal direction. They do this very quietly so that the frogs would not be agitated. This practice was handed down to the succeeding generations. Up to this time, though their number has decreased, many families still carry this tradition as they catch frogs for their own consumption or for selling purposes. Frog Cuisines. Known for their virtuosity in their cuisine, the Kapampangan ultimately discovered the gastronomic attributes of the frog. Thus, recipes were formulated using indigenous ingredients. These include the betute which is a pun for butete. The latter is a Kapampangan word for tadpole. Betute, on the other hand, is dressed frog stuffed with minced frog meat or pork and some finely chopped ingredients.

Program of activities in 2007 included the ff:

1. Launching of Pyestang Tugak in the Flag Ceremony
Date and time: October 1, 8:00 am
Venue: City Hall
Description: Launching of the Pyestang Tugak will be incorporated in the City’s flag ceremony

2. Paduasan (Frog Catching)
Date and time: October 3, 6:00 am
Venue: Heroes Hall
Description: Open to all student and professional frog catchers.

3. Papyalung Tugak (Frog Games)
Date and time: October 3, 8:00 am
Venue: City Hall
Description: To be participated by students from different elementary schools in exciting games for the frogs and for the students.

4. Frog Parade and Mascot Costume Competition
Date and time: October 4, 6:00 am
Assembly: PHS
Route: PHS to B. Mendoza passing V. Tiomico turn to Essel Supermarket to City Hall
Description: To be participated by different secondary schools in the City. Each participating school will do one frog costume and a frog head dress to be presented in a parade.

5. kOCAk Tugak Jingle – Making Competition
Date and time: October 4, 8:00 am
Venue: City Hall Atrium
Description: Open to all secondary students and professionals. The composition must be original and in Kapampangan.

6. Mialiwang Lutung Tugak (Culinary Competition)
Date and time: October 5, 8:00 am
Venue: City Hall Atrium
Description: Open to all Fernandinos who have the most unique and exotic frog recipe may it be soup, appetizer, beverage or dessert but not main dish.

7. Ulam Tugak (Frog Cooking Contest)
Date and time: October 5, 1:00 pm
Venue: City Hall Atrium
Description: Open to professional and non-professional Fernandinos who have the unique frog dish.

Contact Ma. Lourdes Carmela Jade "Ching" Pangilinan (City Tourism Officer), Phone (63 45) 961-5684/ 3328 loc 211 Email sanfernandotourism@yahoo.com Website www.cityofsanfernando.gov.ph

Ragragsak Ti Guimba Festival
Guimba, Nueva Ecija
Ragragsak which means merry-making is celebrated from February 20, the founding anniversary of Guimba, until March during harvest season. The festival is now on its 12th year (2012). Activities include beauty pageant, street dancing, folkdance remix competition, Paistaran, Sportsfest, SMB live band gig, balikbayan/NGO-GO Night, SK Night, ABC Night and grand parade.

Sabuaga Festival
Date Easter Sunday
Sto. Tomas, Pampanga
Description: The Holy Week tourist trail in Pampanga has always invariably ended at the crucifixion rites of flagellants in Barangay Cutud in the City of San Fernando. In the religious celebration however, Christ’s death at Calvary is not the end of the Semana Santa: the passion of the cross being the prelude to the glory of resurrection. In once somnolent Sto. Tomas town, just seven kilometers south of the capital city, Easter Sunday has always been the centerpoint of the observance of the Holy Week. As a matter of course, Easter Sunday is celebrated as the fiesta in Poblacion, taking precedence over the official July 3 feast day of the patron St. Thomas the Apostle. Or yet again, the resurrection an occasion of celebration for the apostle too with his affirmation of the divinity of the Risen Christ thus: “Dominus meus et Deus meus” (My Lord and my God). Over the years, Thomasians have gladly acknowledged and observed Easter Sunday as the feast of all feasts. Those who already reside abroad or other nearby provinces always find time to go home and be with their cabalens (townmates) in commemorating the Maleldo (Holy Days).

So it has always been from the 19th century – said old folk local journalists interviewed in the early ‘60s yet – that Easter Sunday is honored with pomp and pageantry unique to Sto. Tomas.

While the salubong - the first meeting between the Virgin Mother and the Risen Christ – is celebrated in all Catholic churches, here the event is spiced up with a puso-puso – a multi-layered heart-shaped funnel (resembling like an inverted flower) that opens up at interval after each chanting of the Regina Caeli Laetare, raining confetti and petals on the image of the mourning Virgin Mother below until a little girl dressed as an angel descends from it to take the black veil off Mary. At this point, the curtain that separates the Mother and her Risen Son is opened for their joyful salubong.

The Easter procession then begins, with the town’s fairest maidens in their best ternos and formal gowns as sagalas - three ciriales, the cross and candle bearers at the lead; a banderada, the bearer of the Vatican flag, twelve pretty lasses called estabats (after their melancholic hymn Stabat Mater Dolorosa) who sing praises and shower with petals the Atlung Maria (Three Marys) symbolizing the Virgin Mother, Mary Magdalene and Mary Cleofas. By tradition, the center – the spot of the Virgin – is reserved for the most beautiful of the three sagalas.

The procession ends in church with a High Mass. By noontime, the faithful congregate anew at the churchyard for the burning of the effigy of Judas Iscariot.

Atop a scaffolding, “Judas” is ignited by pyrotechnic ravens and then twists, turns upside down, rotates and starts exploding from the legs up the arms, the body, and finally the head with the loudest bang.

That used to cap the annual Holy Week celebrations in Sto. Tomas. This year’s observance will have a fitting climax. From the old rites will be aborning the Sabuaga Festival.

Irwin Nucum, local culturati and songwriter, said Sabuaga comes from the combination of sabuag (scatter) and sampaga (flowers) – the sagalas’ showering of petals on the image of the Virgin Mary in “veneration of her keeping the faith and oneness with her Son in His sufferings, thus her rewards in His joyful resurrection.”

“It’s the signature uniqueness of the Holy Week rites in our town as the festival is aimed to complement and enhance our rich tradition on Easter Sunday in cooperation with the Municipality of Sto. Tomas to further boost our local tourism and promote our world-class products,” added Samuel Santos, chair of the town’s Holy Week 2010 Executive Committee.

Hence, petals and confetti will literally rain on the processional route around Poblacion, starting 2 p.m. of Easter Sunday (April 4) as revelers join groups coming from the town’s seven barangays in street dancing.

At the town plaza where the revelry culminates, the groups in their most exotic costumes will each do its own interpretative dance presentation, on the theme sabuag sampaga, naturally. Judges coming from the arts, culture and tourism sector will proclaim the winners.

A trade and industry component to the festival will be provided by the town’s one-barangay-one-product exhibit around the town plaza, with each barangay displaying its produce, notably the pottery and ceramics of Sto. Niño, and the caskets of San Vicente.

Sto. Tomas is known as the casket capital of Central Luzon, if not of the whole country, having at one time supplied funeral parlors throughout the whole archipelago and even nearby Asian countries.

“In effect, Sabuaga will serve as a one-stop showcase of the spirituality, culture, and industry of the people of Sto. Tomas,” Nucum said.

Drawing full support from the local government unit led by Mayor Lito Naguit, nothing is left to chance in the debut of the Sabuaga Festival. No less than London’s West End veteran Andy Alviz has been designated as creative consultant to the festival.

Sabuaga at this early already promises to be a fitting climax to the Holy Week celebration in the province. Indeed, the Maleldo in the City of San Fernando should culminate in the Easter Sunday celebration and first ever Sabuaga Festival of Sto. Tomas! (Source: Bong Lacson, Columnist)
Contact Cristina Torres (Municipal Tourism Officer) Phone (63 45) 961-4450 / 887-0586 Mobile 0919-852-3823 Email leiru820@yahoo.com.sg / stomaspampanga@yahoo.com Website www.stomaspampanga.com.

Sabutan Festival
Date August 24-25
Venue San Luis, Aurora
Description The Sabutan Festival in the town of San Luis, province of Aurora highlights the importance of growing palm trees locally called Sabutan on the community's economic wellbeing. The raw material which grows on mountain terrain and forest land is used to weave a variety of useful products and ornamentals like hats, placemats, fans and even native dress - all made of Sabutan. The exclusive art of weaving Sabutan is handed down from one generation to the other. The festival features native dance presentation among school children, trade fair, cultural shows and exhibits.

ADDITIONAL INFORMATION:
Sabutan belongs to the family of Pandan, its scientific name is Pandanus sabotan. It is a screwpine plant 2 to 4 meters high. Its full-grown leaves are fine in texture, 2 meters long and 6 centimeters wide.

At present, sabutan is found growing in abundance in a semi-wild condition in Aurora. It can be propagated by suckers, and its cultivation can be extended advantageously to any part of the Philippines having moist but well-drained soil.

Sabutan weaving is one of the traditional crafts of Aurora. The tedious process involved in the preparation of raw material rendered the product truly special to the weavers. In the preparation of the fiber, the spiny margins and midribs of the leaves are removed. The leaves are partly dried in the sun, and divided into strips of the desired width by splitting with a comb-like instrument.

The fibers are boiled for about 15 minutes either in fresh water or in water mixed with a little vinegar, lemon, or tamarind fruit. Excess water in the fiber is squeezed out by drawing the strips tightly around a piece of wood. The prepared fibers are then coiled in bundles and for a period of 24 hours are placed preferably in running water; if in stagnant water, the liquid must be changed frequently. The fibers processed are washed several times in fresh water and spread out in the sun to dry.

The primary use of sabutan is in the production of fiber for manufacturing hats. Such headwear made of sabutan are strong and durable and its texture resembles that of the Panama hat. The unbleached hats are light green-gray. The chief objection to the craft is that they do not bleach readily. Good sabutan hats command a high price in the Philippines.

In the early 90s, sabutan fiber bleaching, dyeing and color matching was introduced. This spawned the development of new and trendy hat designs, and new products like bags, placemats and novelty items.

The inherent craftsmanship of the weavers transformed the hats from being a functional product into a high fashion accessory that immediately became a hit in the export market. Over the years, through various skills training, technology transfers, and product development programs, new product lines and designs are developed. These included colorful hats in various styles for ladies, men, and children; mats in round, oval, and rectangular shapes and weave patterns, bags in various styles. Also produced in less quantity were boxes, decors, and trims. Recent additions to the sabutan product line are the upholstery and throw pillow as component and accessories, respectively, in the wood-based home furniture products.

On the other hand, demand for mats is increasing. Domestic buyers convert the sabutan mats of excellent quality further in their natural or dyed shades into bags, footwear, and other novelty items for the domestic and export markets. There are also demands from foreign buyers for loom woven mats. The mats were the rectangular, diagonally woven type in single, twin or queen sizes. Sabutan is also an excellent material for cushions and is good for making handbags, picture frames, and other fancy articles. Reference: A Compilation of Technical Information on Native Plants Useful as Raw Materials for Crafts 1993 Edition, Product Development and Design Center of the Philippines (PDDCP)-DTI Contact Person Marissa Quiambao (Municipal Tourism Coordinator) Email tourism_aurora@yahoo.com or Contact Contact Michael Palispis Phone (63 42) 209-4373/4211 Mobile 0921-320-7015 / 0908-895-3076 Website www.aurora.ph

Sinukwan Festival
Date December
Venue City of San Fernando, Pampanga
Description The Sinukwan Festival relives the Kapampangan spirit with a weeklong calendar of cultural revivals capped by a grand street-dance parade in the City of San Fernando, with some 21 towns outdoing each other to the tune of "Atin Cu Pung Singsing", It features hordes of gaily-dressed and gaudily crowned Pampangenos, native music and rituals. Organized annually by the Save Pampanga Movement, the festival memorializes Aring Sinukwan, an ancient mythical god, who is the epitome of Kapampangan culture. Activities include photo contest and exhibits, food and arts showcase (Lutong Kapampangan), Kapampangan singing competition, serenata and beauty pageant. Contact Ma. Lourdes Carmela Jade "Ching" Pangilinan (City Tourism Officer), Phone (63 45) 961-5684/ 3328 loc 211 Email sanfernandotourism@yahoo.com Website www.cityofsanfernando.gov.ph

Sibit-Sibit Summer Festival
Date 4th Week of April
Venue Olongapo City (Brgy. Barreto)
Description The name Sibit-Sibit was derived from the name of small paddle-driven bancas used for fishing during the early days when Brgy. Barreto was yet called Sitio Maquinaya. During fiestas, fisherfolk hold banca race using pure human strength to win the competition. Today, the festival competition includes motorized banca race and sail boat competition to add fun and excitement to the activity. In the summer of 1996, the idea came to mind when then barangay Kagawad Carlito A. Baloy set sail to stage the 1st Sibit-Sibit Festival at Driftwood Beach. It was held yearly but later was shelved for various reasons. The event was revived by the city Government under the leadership of Mayor James J. Gordon Jr. in 2006.

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Description This 3-day event is an annual city affair that aims to reminisce the glorious saga of Olongapo as an ancient fishing village while at the same time promoting a friendly tourism alternative. The name Sibit Sibit is derived from an ancient term called "small paddle banca" used for fishing, as the city was born from being one of the ancient fishing villages of the country. Highlights of the event are: banca races, fluvial parade and sail show, beach volleyball, bangkang buhangin sculpting competition, bingo bonanza, summer dance craze, among others. Contact Lorelei Montoya (City Tourism Officer) Phone (63 47) 224-1471 Mobile 0908-964-9922 Email lei_montoya@yahoo.com Website www.olongapocity.com.ph

Singkaban Festival (Linggo ng Bulacan)
Date Sept. 8 - 15
Venue Malolos City, Bulacan
Description Known to many as Linggo ng Bulacan, the festival is a celebration of the arts and culture for the patron saint of the province, the Fiesta of Our Lady of Victory and is held at the provincial capitol grounds, Malolos City, on September 8 - 15 of every year. In conjunction with this, the annual Singkaban Festival is held. Singkaban is an acronym for "sining at kalinangan' (art and culture). It celebrates also the anniversary of the first Philippine Congress established on September 15, 1898 at Barasoain Church. Festivities include a 'balagtasan' (debate or declamation patterned after the poetry of Francisco Balagtas), folk dances, 'kundiman' (Filipino plaintive love song), Indakan sa Kalye (street dancing), and Lakan at Lakambini ng Bulacan beauty pageant. The event also showcases Bulacan's products - fireworks, plants, and delicacies like puto, inipit and pastillas de leche. In 2008, the provincial government made a bid to establish the LONGEST PASTILLAS (Carabao milk candy) in the Guinness World Record under the category of 'amazing feats' at 202.6 meters long, 5 inches in diameter (more than 4,000 kilos to prepare, 12,800 liters of carabao milk, 1,600 kilos of sugar and 200 volunteers to shape and wrap the longest candy bar). Contact Jose Roel Paliligan (Municipal Tourism Officer) Phone (63 44) 791-6806 or Bulacan Provincial Tourism Office Contact Beth Alonzo / Ely dela Cruz Phone (63 44) 791-6604 / 2480 Email atebeth606@yahoo.com / elywin_2008@yahoo.com / bulacan_tourism@yahoo.com Website www.bulacan.gov.ph

Sto. Nino Festival
Date 4th Week of January
Venue Malolos City, Bulacan
Description The biggest expression of devotion to the Holy child Jesus in the entire Luzon island. The event features a week long celebration cum exhibits, a procession featuring more than a hundred caros of diverse images of the the Sto. Nino. Contact Bulacan Provincial Tourism Office Beth Alonzo / Ely dela Cruz Phone (63 44) 791-6604 / 2480 Email atebeth606@yahoo.com / elywin_2008@yahoo.com / bulacan_tourism@yahoo.com Website www.bulacan.gov.ph

Taong Putik
Date June 24
Venue Aliaga, Nueva Ecija
Description Taong Putik originated from a unique practice of the devotees of Saint John the Baptist in Bibiclat, Aliaga, Nueva Ecija. Their bodies are completely coated with mud and adorned with vines, banana leaves or dried coconut leaves to hide their identity and as an act of humility and penance. The ritual starts as the curtain of the early dawn rises on June 24 - as the streets of Bibiclat becomes the stage for the unfolding of the performance of the devotees of the Fiesta ni San Juan Bautista. The Taong Putik (mud men) ask for alms and candles from the people and offering them at the church during the special mass celebrated at 7:00 in the morning. Devotees are also known as "San Juan or nag-sa-San Juan" by the townsfolk of Aliaga because they imitate Saint John the Baptist who hid his role as the chosen one to baptize Jesus Christ by wearing animal skin to deceive those who were after his head. A special mass and procession follow, with the taong putik in attendance. Thereafter, they wash up, symbolizing rebirth, They dress up and partake of the fiesta food and drink, music and merrymaking. Contact Florence Soro (Municipal Tourism Officer) Phone (63 44) 945-0002 / 0001

Zambales Mango Festival
Date Month of April
Venue Iba, Zambales
Description The event is a celebration of a bountiful harvest of mangoes and other agricultural products which the province is so known for. It is aimed to highlight the must-see attractions and places of interest in all its towns. Among the activities during the event include Hataw Saya Street Dancing Competition, trade fair and exhibit, Lakbay Zamables Cycling Competition, PINAKA Product Display, Mango Fruit Stand Competition, Agri-Karera ng Kalabaw, Huli Mo, Biik Mo, Alaga ko si Bantay Competition, Sand Sculpting Competition, Mango Mixing Bar-tending Competition, Mango Ultimate Dance Showdown, Mango Jam and Pie Making and much more. Contact Zambales Provincial Tourism & Investment Office Domitela Mora Phone (63 47) 811-7221/7216/7218 Email telmora967@yahoo.com.ph / ptipozambales@rocketmail.com Website www.zambales.gov.ph or www.visitzambales.com

EVENTS

Angeles City Lenten Rites
Date Good Friday
Venue Angeles City, Pampanga
Description The streets of Angeles City, in a tiny village called Lourdes North West (LNW), are kept busy during Good Friday when some five to ten penitents perform their annual vow of penitence by having themselves nailed to the cross in a makeshift 'golgotha' nearby. The commemoration starts at about 1:00 in the afternoon under the sweltering heat of the noonday sun with the reenactment of the arrest of Christ in the Garden of Gethsemani. Selected residents dressed as Roman centurions astride horses scour the length and breadth of the neighborhood to clamp down on their 'suspect'. When the arrest is perfected, the dramatization of Christ's passion and death is played through the streets up to the calvary where the actual crucifixion takes place before 3:00 in the afternoon. Contact Person Brgy Chairman Enriquez
Tel. No. (63 45) 625-8790/0919-862-9611

Apo Fiesta
Date Last Sunday of October
Venue Angeles City, Pampanga
Description Celebration begin with several masses at the Holy Rosary parish church after which the Faithful kiss the feet of the Image of the Reclining Christ. A procession in honor of Christ Jesus followed by an entourage of carozas is held close to sunset. Contact Person Pamela Flores (City Tourism Officer) Tel. No. (63 45) 322-0507/892-2212/2213 loc 195

Araw ng Kagitingan (Day of Valor)
Date April 9
Venue Pilar, Bataan
Description Held every year on April 9 at the Dambana ng Kagitingan (Shrine of Valor) atop Mt. Samat in Pilar, Bataan, the fall of Bataan is commemorated during the Araw ng Kagitingan. Top government officials, Japanese and American World War II veterans including their Filipino counterparts and visitors go to Mt. Samat to participate in the annual rites held to honor the bravery of the soldiers who fought to defend Bataan and to preserve freedom and democracy.
Contact Person Ceasar Cuayson Tel. No. (63 47) 237-4785/2413

Binabayani Festival
Date Nov. 30
Venue Masinloc, Zambales
Description Held in Masinloc, Zambales in honor of the town's patron saint St. Andrew the Apostle, Binabayani Festival is celebrated every November 30 as the local version of the Ati-atihan. It is mainly celebrated through dances and rituals and commemorates the war between the Christians and Aetas. It is believed to help bring about a bountiful harvest. Binabayani is a Sambal word that means "bravery." The Aeta participants wear short pants and hats made of bird's nest in black color with bolos and bamboo drums while the Christian participants wear white pants and polo shirts with red or colored bands strung around their body. For further details, contact Municipal Tourism Office, Marcos Aranas, Phone (63 47) 821-1845 / 1834 / 1150 Email marcosaranas@yahoo.com mobile 0919-827-5094

Blasting of Judas Iscariot | Maleldo
Date Easter Sunday, 12 noon
Venue In front of Sto. Tomas Parish Church, Sto. Tomas, Pampanga
Description While tourists crowd in Brgy. San Pedro Cutud in the City of San Fernando, Pampanga to witness the true-to-life crucifixion of several Kristos on Good Friday, townsfolk in all seven barangays of Sto. Tomas, Pampanga converge and witness their generations-old, more colorful, non-bloody tradition focusing largely on blasting a paper-mache effigy of Judas Iscariot and the resurrection of Jesus Christ on Easter Sunday. Blasting the effigy is a dramatic process. Four paper mache black ravens, positioned on the ground at four corners of the poles, are the first ones to be ignited. The ravens are then propelled towards Judas' post where the fireworks explode. The effigy turns several times with its tongue sticking out before the fireworks explode starting from the feet. The loudest explosion takes place in the head of the effigy. The blasting is preceded by a procession at 5:00 a.m. highlighted only by the so-called Salubong or the meeting of the Blessed Virgin Mary and the Risen Christ, and ends at 11:00 a.m. before the Judas ceremony happens at 12:00 noon. Many local folk believe that loud explosion presages bountiful harvests from their farmlands or fishing grounds. (credit: Journalist Bong Lacson, Angeles Observer, 04/22-29/06) Contact Person Romy Nucum (Municipal Tourism Officer)
Tel. No. (63 45) 877-1084 / 0917-962-9266

Related Article:

MALELDO (by Bong Lacson)
Traditional observance of the Holy Week in Sto. Tomas, Pampanga

A contraction of mal a aldo – directly translating to a highly-valued, hence, holy day – has evolved to the one word comprising the Holy Week and all its rituals. Maleldo is intertwined with kaleldo – summer, the season when it is celebrated.

The etymology of Maleldo is easy enough to explain. The rituals and practices exclusive to the town of Sto. Tomas are a different thing.

In the absence of written history, the oral tradition – kuwento ni lola – is the only source of information on the rituals of Maleldo.

From the Canlas sisters – Apung Mameng (1898-1976) who remained unmarried, Apung Rita vda de Zapata (1901-1980), Apung Bibang vda de Manese (1903-1978) – came the information written here, passed on to them by their mother Demetria Pineda-Canlas (1860s-1952).

“Ding apu nang ima mi mig-sagala na la kanu king Maleldo (The grandmothers of our mother had joined the Holy Week religious processions in their finest costumes). The three sisters were wont to tell their inquisitive grandchildren at the time.

Holy Week in Sto. Tomas starts with Viernes Dolores the Friday before Palm Sunday. This was later moved to Sabado Dolores. The change came in the late ‘60s or early ‘70s – somewhere at the tail end of the Cursillo Movement – to circumvent the rigid abstinence of no-meat-on-the-Fridays-of-Lent.

A triumvirate of women handles the activities: the hermana mayora, the mayordoma, and the secretaria. The three fetch the image of the Mater Dolorosa from the house of the camadera in Barangay San Bartolome and head the procession to the parish church on Viernes Dolores.

Sabado Dolores starts with a morning Mass followed by a breakfast – courtesy of the secretaria – for the Mass-goers on the church grounds.

At lunchtime, presided by the hermana, the saladoras -- a groups comprising of previous hermanas, mayordomas, secretarias, as well as descendants of those who served as such but have long been gone – gather to choose the successors to the three oficiales.

Choice per position is through bola suerte. The candidates per position are nominated. Then the drawing of the lot begins. Two jars are used: one contains rolled pieces of paper in which are written the names of the candidates; the other, rolled papers commensurate to the number of candidates – all blank but for one with the word suerte. The name of the candidate drawn from the first jar that matches with the suerte from the second jar becomes the hermana, mayordoma or secretaria.

In the evening, the image of the Mater Dolorosa is venerated in a procession around the Poblacion with the hermana and her court, escorted by their husbands, preceding the carro.

The procession marks the debut appearance of the estabats – 12 young lasses that make a choir, accompanied by a manggirigi – a violinist – as they sing hymns to the Blessed Virgin.

The estabats are so called after the opening lines of their Latin hymn “stabat Mater Dolorosa…” roughly translated to “the sorrowful Mother was standing…”

Supervision of the Holy Week celebrations shifts from the hermana to a Holy Week Executive Committee after Sabado Dolores. The committee chair is selected each year and is given a free hand to choose his officers and members.

Domingo de Ramos – Palm Sunday – comes with the traditional blessing of palms and olive branches in a barrio chapel – alternately in San Bartolome and San Vicente – followed by a procession to the parish church with the parish priest taking the role of Christ on the way to Jerusalem accompanied by 12 men acting and dressed in the role of the 12 Apostles.

At the four corners of the churchyard or the street fronting the church stand kubu-kubuan -- nipa stalls – where choir members sing hosannas and shower the priest with petals and confetti. The celebration ends with a Mass.

Lunes Santo and Martes Santo were quiet days. Until the cenaculo or singing of the Passion of Christ in the vernacular was moved to Martes Santo and Miercoles Santo.

Originally, the cenaculo was held on Maundy Thursday and Good Friday. In the ‘70s, it was moved to Holy Wednesday and Maundy Thursday to give full contemplation on the suffering and death of Christ on Good Friday. Sometime later it was moved further to the day it is now observed.

Traditionally, the cenaculo is an affair of the youth. A president from each gender gets elected to chair the festivity which comprises the singing of the Pasyon and the serving of – variably, depending on the collections – ice cream and barquillos or kalame (native rice cakes). Of late, the word cenaculo has given way to the Tagalog pabasa. A more appropriate term, so the purists hold, given that a cenaculo goes beyond the mere singing of the Pasyon to include a play or drama on the suffering and crucifixion of Christ.

The second procession of the week takes place in the evening of Miercoles Santo. Here, images of the saints who had had participation in the days prior to the crucifixion as well as those depicting the suffering of Christ are put on decorated carros with St. Peter, bearer of the keys to heaven with his ubiquitous white rooster at the lead, followed by Sts. John the Evangelist, Thomas, Bartholomew, James, Andrew, Mary Magdalene, Martha, and the images of Christ being scourged at the pillar and the Nazareno, Jesus carrying the cross, followed by the living apostoles.

The image of Mater Dolorosa takes the rear, preceded by the estabats and followed by the brass band.

In between the carros walk the rosary-praying cofradias and church organizations and the camaderas, the owners or caretakers of the images.

Maundy Thursday marks the observance of the washing of the feet of the apostles and the Last Supper. The parish priest is assisted by the Holy Week Committee chair and officers during the foot-washing rites.

After the ceremonies, the parish priest and the apostoles take their own supper at the parish rectory and partake of the cordero, a dish of beef covered with potatoes shaped like a lamb.

Rites and ceremonies for Good Friday start shortly after noon with the Las Siete Palabras, homilies and meditation on the seven final utterances of Christ at Calvary, which end at 3:00 in the afternoon, traditionally believed as the hour of Christ’s death.

Tanggal, a dramatization in song and verse of Christ’s body being taken down from the cross, used to follow the Las Siete Palabras. The last staging of tanggal was held in 1979.

Taking centerstage in the Good Friday procession is the image of the Santo Entierro. It has become a tradition of the faithful to pluck out all the flowers decked in the carro as soon as it enters the church after the procession. Some claim miraculous attributes to the flowers.

At the procession, the estabats sing mournful hymns and dirges in reflection of the pain and anguish suffered by the Mater Dolorosa – the image now dressed in black and its head replaced with one in tears – over the death of her Son.

Sabado de Gloria is highlighted by the evening Mass with the blessing of the fire and water as well as the renewal of the faithful’s baptismal vows.

Domingo de Pascua – Easter Sunday – marks the climax of the celebrations in ways more than spiritual, folk art, aesthetics, socials melding into it.
Before 6:00 in the morning, the faithful gather at the churchyard for the salubong, the first meeting between the Risen Christ and the Blessed Mother.

Under a pusu-puso, a veiled image of the Virgin Mary faces – behind a curtain – the image of the Risen Christ. The pusu-puso opens in layers gradually, raining in petals and confetti on the images. At its final opening, doves fly out and a young girl dressed as an angel comes out in a kalo, an improvised swing, singing “Regina laetare, alleluia” (Joy to the queen, alleluia) as she is lowered down to take the veil off the Blessed Mother. At this, the curtain parts, the brass band plays and the faithful applaud to mark the start of the Easter procession.

At the lead of the procession are the ciriales, bearers of the ceremonial
cross and candles in the person of three ladies in their fineries with their escorts in barong Tagalog. They are followed by the banderada, bearer of the Vatican flag.
Sometime in the ‘80s, mini-sagalas were introduced. These are little girls dressed as angels to accompany the incensario, the bearer of the icnenser and the incense boat, and the angel who took the veil off the face of the Blessed Mother.

Next come the estabats, singing glorious hymns and raining petals on the Atlung Maria (Three Marys) at designated stops along the processional route.

The Atlung Maria symbolize the Virgin Mother, Mary Magdalene and Mary Cleofas. By tradition, the center – the spot of the Virgin – is reserved for the most beautiful of the three sagalas. It is thus a most coveted spot. Sagalas for the Atlung Maria are exclusive to ladies born and bred in Sto. Tomas, or those whose ancestors can be traced to the town. In the social milieu, no lady from the town is truly beautiful unless she has been one of the Atlung Maria.

With the Atlung Maria is the ciro pascual, the bearer of the paschal candle, always a local bachelor or one whose bloodline comes from the town.
The images of the Risen Christ and the Blessed Mother bring the rear of the procession which ends with a High Mass.

After the Mass or by high noon, the faithful congregate anew at the churchyard for the burning – exploding is more apt here – of the effigy of Judas Iscariot.

Atop a scaffolding, “Judas” is ignited by pyrotechnic ravens and then twists, turns upside down, rotates and starts exploding from the legs up the arms, the body, and finally the head with the loudest bang.

When Sto. Tomas was still a farming town, the loudness of the bang ending “Judas” was deemed a sign of the volume of the year’s harvest: the louder the bang, the higher the yield.

Lost in some vengeful glee among the faithful is the meaning behind the burning of Judas: That spiritually renewed with the fire and water of Sabado de Gloria , restored in grace with the Risen Christ, the faithful should cast away all vestiges of sin, of spiritual shortcomings with Judas and burn them. This is no less a form of a holocaust offered to God. That which makes the very essence of the Holy Week celebrations. (Bong Z. Lacson writes a daily column, Zona Libre, for Punto! Gitnang Luzon. He is chair of the Society of Pampanga Columnists.)

Bulacan Lenten Rites
Location Paombong, Malolos, Plaridel and Pulilan
A way of repentance and sharing in the sufferings of Christ, worshippers whip themselves or have themselves crucified at Kapitangan, Paombong during the Holy Week. Also, religious rituals are celebrated in all the towns especially in Malolos, Plaridel and Pulilan. Families with old life-size "Santos" bring them out during this time to be part of the colorful processions on Maundy Thursday and Good Friday. On Easter Sunday, a little wooden angel (or a live little girl) descends from the Galilee to take off the virgin's mourning veil. Source: www.bulacan.gov.ph

Cutud Lenten Rites (Kalbaryo)
Date Good Friday, 12 noon
Venue Brgy. San Pedro Cutud, City of San Fernando, Pampanga
HISTORY
The re-enactment of Christ's crucifixion that is practiced each year in the City of San Fernando originated in 1955 with the staging of Via Crucis (Way of the Cross), the only Kapampangan piece on the passion of the Christ written by an amateur, Ricardo Navarro. It was first performed during the Holy Week (in 1955) by an amateur volunteer artists of Barangay (barrio) San Pedro Cutud, who like the rest of the Filipinos during that period, had time on their hands because work or exertion on those holy days was taboo. It was only in 1962 that the barangay first witnessed an actual crucifixion during the play. The Christ was potrayed by Artemio Anoza, a resident of nearby Apalit town and a quack doctor who dreamt that he would become a religious leader and full-fledged healer. Wanting to realize this dream, he volunteered himself to be crucified as a sacrifice. Since then, not a year passed without an actual crucifixion taking place during the re-enactment that has now been joined in by many penitents as a 'panata'or vow of sacrifice (In 2011, 24 Filipinos were nailed to the cross; the most number of crucifixions since the ritual started in 1950s). In 1965, the role players and the penitents were invited to perform the sacrifice outside the barangay, this time in Betis, Guagua. The occasion caught national interest and subsequently became an international tourist attraction. Through the years, Rolando Navarro passed on the family tradition he began to his son Ricardo and then to his grandson Allan Navarro who is the present director of the street play Via Crucis. Nowadays, more than 200 cross-bearers and some 3,000 "mandarame" (men who whip their backs with bamboo stick called "burilyos") converge in Cutud's Calvary every Good Friday.

ABOUT THE TRADITION
The Philippines is Southeast Asia's largest Roman Catholic nation with a rich cultural heritage that is steeped in tradition. One of these Filipino practices is the observance of Lent and the Holy Week that, for Catholics, is a time for atonement and sacrifice.For Filipinos in Pampanga, the observance is characterized by the 'senakulo' or 'pabasa' which is the chanting of the passion of Christ as read from a book that locals call Pasyon. Other penitents called 'magdarame' (flagellants) carry wooden crosses, crawl on rough pavements and slash their backs before whipping themselves to draw blood, to ask for forgiveness of sins committed, to fulfill religious vows (panata), or to express gratitude for favors granted. On Good Friday each year, in the City of San Fernando, particularly in Barangay San Pedro Cutud, thousands flock to witness the world-renowned crucifixion that is reenacted on a man-made hill after two-hour street play, Via Crucis is performed as it has been done for the past 50 years. Contrary to the Catholic Church's teachings and the commercialization of the event, the fervor for the tradition stays, with the townsfolk sticking to their faith and spiritual practice, constantly remaining pure in their panata which continues to be a source of community solidarity and strength. (Credit: www.cityofsanfernando.gov.ph)

RELATED ARTICLES
An annual re-enactment of Christ's passion and death is done every Good Friday in Brgy San Pedro Cutud as well as in Sta. Lucia in the City of San Fernando. This dramatic re-enactment is complete with a passion play as performed by local residents and culminates at 12:00 noon with the actual crucifixion of a number of penitents on wooden crosses atop a makeshift calvary. Penitents perform their tradition in the hope of gaining favors from the Almighty. As the sun sets in late afternoon, elegant heirloom carrozas and santos are brought around the historic poblacion for the most solemn Good Friday traditional procession. The Passion, Death and Resurrection of Christ are relived to a degree it is hard to believe. On the morning of Good Friday there is a reenactment of the "Via Crucis" which is performed by local residents, fittingly clad in Roman centurion costumes and the peasants' garb of Biblical times. The reenactment starts between 10am and 11am after which the people move off to trek 4km to "Golgotha". Scores of penitents, inflicting self-flagellations using glass-spiked leather thongs on their bare backs, trail a "Christ", a Filippino penitent, who bears a heavy wooden cross during the trek. Upon arriving, the women kneel at the feet of the makeshift cavalry and wail a version of the Gospel of Seville Passion. At least five penitents per year, and sometimes more, are nailed to makeshift crosses by their hands and their feet. The agony of the spectacle brings thousands to the reenactment. It has even become something of a tourist attraction. To secularised Westerners it must appear barbaric, but for the penitents it is a way to become closer to God and the chance to truly test their faith. (Credit: www.britishairways.com)

Phil Daily Inquirer, April 16, 2011, by Tonette Orejas - Ruben Enaje, 50, a Kampangan and a painter, gets his hands and feet nailed to a cross every Good Friday for the last 24 years. He started doing this in 1986 after surviving a fall from a building. The nailing and convergence of flagellants, cross-bearers and street play reenacting the Via Crucis (Way of the Cross) all happen on a replica of Calvary on San Pedro Cutud’s Purok Cuatro in the City of San Fernando, Pampanga. Some 30,000 to 80,000 foreign pilgrims and spectators witness this Lenten event every year.

Where before men tied themselves to the crosses after bearing these for days, faith-healer Artemio Anoza began real-life nailing in 1961 or 1962 when he played the part of Christ in the staging of the Via Crucis mounted by Ricardo Navarro that year. The play, staged first in 1955 and solely in the village, is continued by Navarro’s grandson, Allan.

PROPOSED ITINERARY (for Media groups)
FIRST DAY
Holy Wednesday, 9:00 a.m: Proceed to Brgy. San Pedro Cutud (San Fernando) for an interview or family immersion with a flagellant and 'Christ'(prior arrangement is a MUST. ID passes for media must be secured from the local tourism office).

SECOND DAY
Maundy Thursday, whole day: Visit to the 'Pabasa' (non-stop chanting of biblical verses) in different makeshift chapels either in the City of San Fernando or Angeles City. Witness the procession of flagellants along the way heading toward a chapel for their final journey and moment of prayer.

THIRD DAY
Good Friday, 7:00 a.m: Proceed to Brgy. San Pedro Cutud to witness the Via Crucis or Way of the Cross (a 51 year old street drama on the Passion of Christ written and performed by local residents). At 12:00 noon, join thousands of people to witness actual crucifixion of a host of 7 - 10 penitents. Optional visit to Brgy. Lourdes Northwest in Angeles City where another crucifixion takes place between 2:00 - 3:00 p.m.

FOURTH DAY (optional)
Black Saturday, whole day: Shopping Kapampangan delicacies, arts and crafts in San Fernando, Betis, San Matias and Mexico.

FIFTH DAY (optional)
Easter Sunday, 4:00 a.m: Proceed to Sta. Maria Parish Church Balibago Angeles City to witness the most elaborate 'Salubong' (A traditional religious event which portrays the meeting of Christ and His mother, Mary, after the resurrection in an elaborate drama participated in by local residents dressed as angels and different biblical characters) /

END OF TOUR

ITINERARY FOR DEVOTEES:

THINGS TO DO THIS HOLY WEEK
Palm Sunday to Easter Sunday

Palm Sunday. Start your Holy Week with a Mass as this day - referred to as Domingo de Ramos - comes with the traditional blessing of palms and olive branches followed by a procession to the parish church with the parish priest taking the role of Christ on the way to Jerusalem usually accompanied by 12 men acting and dressed in the role of the 12 Apostles. Traditionally, on the street fronting the church stand kubu-kubuan -- nipa stalls – where choir members sing hosannas and shower the priest with petals and confetti. The celebration ends with a Mass.

Holy Monday. Move around town to do the traditional Visita Iglesia or follow the Stations of the Cross.

Holy Tuesday. Move around town to do the traditional Visita Iglesia or follow the Stations of the Cross. Continue around town (by barangay) to witness the 'Pabasa' (non-stop chanting of biblical verses in the vernacular) in different makeshift altars or Cenakulo (a theatrical dramatization of Christ's passion translated from Spanish passion plays into the vernacular). Witness the procession of flagellants along the way heading toward a chapel for their final journey and moment of prayer.

Holy Wednesday. Move around town to do the traditional Visita Iglesia or follow the Stations of the Cross. Continue around town (by barangay) to witness the 'Pabasa' (non-stop chanting of biblical verses in the vernacular) in different makeshift altars. Witness the procession of flagellants along the way heading toward a chapel for their final journey and moment of prayer. The hermana mayor may serve snacks to those who have participated in the ritual and brought in the blessing of the Lord.

Maundy Thursday. Got to Mass as the day marks the observance of the washing of the feet of the apostles and the Last Supper. After the ceremonies, the parish priest and the apostles take their own supper at the parish rectory and partake of a meal.

Good Friday. Proceed to Brgy. San Pedro Cutud at 7:00 in the morning to witness the Via Crucis or Way of the Cross (a 51 year old street drama on the Passion of Christ written and performed by local residents). At 12:00 noon, join thousands of people to witness actual crucifixion of a host of 7 - 10 penitents. Or an optional visit to Brgy. Lourdes Northwest in Angeles City where another crucifixion takes place between 2:00 - 3:00 p.m. In churches all over, rites and ceremonies start shortly after noon with the Las Siete Palabras (Seven Last Words), homilies and meditation on the seven final utterances of Christ at Calvary, which end at 3:00 in the afternoon, traditionally believed as the hour of Christ’s death.

Black Saturday. Go shopping for Kapampangan delicacies, arts and crafts in San Fernando, Betis, San Matias and Mexico. Sabado de Gloria is highlighted by the evening Mass with the blessing of the fire and water as well as the renewal of the faithful’s baptismal vows.

Easter Sunday. At 8:00 in the morning, proceed to Sto. Tomas, Pampanga for a whole day festivity of religious events (salubong), street dancing (Sabuaga Festival), trade fair and variety shows including fireworks in the evening. Witness their Sabuaga Festival featuring a showering of petals on the image of the Virgin Mary. Petals and confetti will literally rain on the processional route around Poblacion, starting 2 p.m. as revelers join groups coming from the town’s seven barangays in street dancing. Or one may choose to go instead to any church to witness the most elaborate 'Salubong' at 6:00 in the morning (A traditional religious event which portrays the meeting of Christ and His mother, Mary, after the resurrection in an elaborate drama participated in by local residents dressed as angels and different biblical characters). The festivity usually culminates in a colorful fireworks display.

CONTACT INFORMATION
City of San Fernando Tourism Office
Contact Person Ma. Lourdes Carmela Jade "Ching" Pangilinan - City Tourism Officer
Address Office of the Mayor, Consunji St., City of San Fernando
Tel. No. (63 45) 961-6640 loc. 106 / 209/ 961-5022 / 5684 / 3328 loc. 211
Email mlcjdp@yahoo.com / cityofsanfernando@gmail.com
Website www.cityofsanfernando.gov.ph
Contact Person Remigio dela Cruz (Barangay Chairman)
Mobile 0919-538-6976
Tel. No. (63 45) 963-7561/961-5684/ 3328

Domingo de Ramos (Palm Sunday)
Date First day of Holy Week
Venue Nationwide
Description This day marks the beginning of Holy Week with a reenactment of Jesus' triumphant entry into Jerusalem. Devotees carry palm fronds, which are blessed in church. These fronds are displayed prominently in homes and believed to ward off evil.

Feast of Ina Poonbato
Date January 24
Venue Botolan, Zambales
The Feast of Ina Poonbato is celebrated every 24th day of January in Brgy. Poonbato, Botolan, Zambales. Devotees from all over the country flocked to this place before or on the feast day to worship Ina Poonbato. The church is on the top of the hill where you can see the beautiful panorama of the place. Ina Poonbato, the miraculous image will continue to reign in the hearts of many people, most especially to the people of Botolan. For them, she is their mother their guidance and their hope.

Feast of San Roque
Date May 12
Venue Valenzuela, Bulacan
Description The Feast of San Roque street festival dates back to the 18th century, when the people of Valenzuela first gave thanks to their patron saint, San Roque. Women from the various barangays (neighbourhoods) of the town come together to dance in a street procession which lasts all day and night. Legend has it that if a girl wishes to find a boyfriend or a husband she must join the street dance before her wish is granted by San Roque. Thus, this Saint's Day serves to separate the girls who are looking from those who are already taken, making it much easier for the boys to choose their girl! Inevitably then, the procession of dancing ladies is the cause for great excitement and the atmosphere is always buzzing. Contact Person Divina Quetua (Provincial Tourism Officer) Tel. No. (63 44) 662-7635/791-7335/662-7635

Fiestang Apu Procession
Date Last Friday of October
Venue Angeles City
Description A religious procession in honor of Apung Mamacalulu (the unrisen Jesus Christ or Lord of the Holy Sepulchre) whose feastday always falls on the last Friday of October. The devotion began in 1897 after a local resident attributed to Apu his miraculous escape from the local Spanish cazadores. The celebration of the feastday, preceded by a Quinario or five-day novena, in holy dedication to His Five Wounds, the wounds of Jesus Christ, was conducted to safeguard the town of Angeles from evil times and disasters. The procession features holy images and carros from the early 1800s. (Source: Marco Nepomuceno, The Camalig Denizen at www.camalig.com)

Fiestang Kuliat
Date Oct 1 - Oct 31
Venue Angeles City, Pampanga
Description A month-long celebration of the twin fiestas of Angeles City, namely La Naval and Fiestang Apu, the event features various cultural events, social missions, special shows like car exhibits, beauty pageant, tourism and trade fair cum exhibits, street dancing parade with various sectors, schools and government agencies participating. The celebration is highlighted by the annual Tigtigan at Terakan Keng Dalan. Contact Person Pamela Flores (City Tourism Officer)
Tel. No. (63 45) 322-0507/892-2212/2213 loc 195

Flores the Mayo
Date May 1 - 30
Venue Nationwide, N/A
Description First introduced by the Spanish friars in 1854, and ten years after blossomed in the various towns of Bulacan, Laguna, Batangas and Pampanga, the May devotion, also known as Flores de Mayo, is celebrated in the entire month of May when organizations like Daughters of Isabela, Knights of Columbus, Solidarity and Adoracion Nocturna, offer flowers to the Virgin Mary. The grand feast of the event is reserved for the last Sunday of the month when Mass is said and the image is led in a procession around town. Women who joined the procession wore blue saya and white veils made by local couturiers. The virgin is usually put under neoclassic arches, called kubol. Young men in barong Tagalog fetch and escort the girls in long gowns towards the church. Today, the celebration is combined with the traditional Santakruzan.

Halamanan Festival
Date Jan 23
Venue Guiguinto, Bulacan
Description Coinciding with the Guiguinto Foundation day on January 23, the Halamanan Festival is marked with merriment as the members of the town's Garden City Association exhibits the talents and skills of Guiguintenoes in the art of gardening i.e. landscaping, seedling propagation, plant growing, flower cutting and arrangements, ornamentals and interior decoration including landscaping (waterfalls, rock garden, boulders and the like). The town is now known as the Garden Capital of the Philippines. Contact Person Eleonor Abuso Tel. No. (63 44) 794-1823/0543

Horse Festival
Date Dec 29 - 30
Venue Plaridel, Bulacan
Description A herd of horses with colorful tilburies parading in the streets of Plaridel in reverence to St. James the Apostle. Santiago Apostol is sometimes called El Matamoros (Muslim Slayer). His iconography is a fierce sword-brandishing man, mounted on a horse and slaying turbaned men. This is because the Spaniards under the command of Don Pelagio narrowly defeated the Saracens in the Battle of Cavadonga in 718 A.D. They say that it was the apparition of St. James that reversed the tide. The leitmotif of these festivals in honor of St. James is, therefore, the horse. Contact Person Divina Quetua (Provincial Tourism Officer)
Tel. No. (63 44) 662-7635/791-7335

Horse Harness Races (Tiburin)
Date April 9
Venue Subic Bay Freeport, Zambales
Description Horse races (tiburin)at the Subic International Race Track sponsored by the Horse Harness Racing Association of the Phils. led by Mr. Gabby Lao of the El Kabayo Riding stables in Subic. Contact Person Gabby Lao Tel. No. (63 47) 252-1050/9069

Jose Abad Santos Day
Date May 7
Venue City of San Fernando, Pampanga
Description The entire province of Pampanga remembers the patriotism of one of the City of San Fernando's illustrious sons, Chief Justice Jose B. Abad Santos, who was martyred by firing squad in Malabang, Lanao on May 7, 1942 by the Japanese for his refusal to pay allegiance to the Japanese flag. He is remembered for his famous words, "It is a rare opportunity to die for one's country. Not every Filipino is given this chance."

Related Article:
Source: DP Limlingan, Sunstar Pampanga, May 7, 2008

Jose Abad Santos was born in City of San Fernando, Pampanga to Vicente Abad Santos and Toribia Basco. He was the seventh child of 10 children.

His eldest brother, Assemblyman Pedro Abad Santos was the founder of the Socialist Party of the Philippines and a well-known defender of the "poor and the oppressed".

His other siblings were Emilia, Irineo, Escolastica, Antonio, Josefa, Quirino, Salvador and Catalina.

Chief Justice Jose Abad Santos completed his elementary education in the public schools of his hometown, San Fernando, Pampanga.

In 1904, while still a high school undergraduate, the Philippine government selected him as a government-sponsored scholar and sent him to the United States for further education.

He completed his general secondary education school in Santa Clara, California and earned a Bachelor of Laws degree in June 1908 at Northwestern University in Evanston, Illinois.

A year after, he received his Master of Laws degree from George Washington University in the capital city of Washington DC in the United States of America.

Returning to the Philippines, he passed the Philippine Bar Examination and commenced his law practice in October 1911. In April 1919, the Supreme Court of the United States of America licensed him to practice law in the United States.

He was among the greatest legal luminaries of the Philippines. After completing his law studies in the United States as a government-sponsored scholar he was also assigned for a few years in the Department of Justice (DOJ).

He was appointed later as the first Filipino corporate lawyer of the Philippine National Bank (PNB), Manila Railroad and other government corporations.

Moving on his professional career, he was recalled at the DOJ as Attorney-General then to the position of Secretary of Justice.

In recognition of the brilliance and dedication to government service of Secretary Jose Abad Santos, President Manuel Quezon of the Philippine Commonwealth appointed him later as Justice in the Supreme Court (SC) and eventually as Chief Justice of the SC.

At the outbreak of World War II, President Quezon temporarily moved the seat of the Philippine government to the USA. Together with Vice President Sergio Osmena and other Cabinet members they escaped by submarine from the invading Japanese Imperial Forces as General Douglas MacArthur transferred his general headquarters to Australia to re-organize the Allied Forces.

Chief Justice Jose Abad Santos chose to remain in the Philippines as caretaker of the National Government administration in the Philippines.

The Japanese Military Command repeatedly approached him to make him pledge allegiance to Japan and to the Japanese flag but he did not swear in. A Japanese colonel and his troops overtook him in Lanao and he was told that he would be shot to death if he would not swear allegiance to the Japanese flag. He did not comply with the request of the Japanese so he was executed on May 7, 1942 in Malabang, Lanao del Sur in Mindanao.

Before he was shot to death, he was able to talk to his young son, Jose Jr. and his last parting words were "Do not cry Jr., show to these people that you are brave. It is an honor to die for one's country. Not everybody has that chance."

Contact City of San Fernando Tourism Office, Tel. No. (63 45) 961-5684/ 3328 loc 211

La Naval Fiesta
Date 2nd sunday of October
Venue Angeles City, Pampanga
Description The event is in commemoration of the Virgin of the Holy Rosary whose intercession saw the victory of the Spanish fleet over the Dutch invaders. Angeles City celebrates this fiesta with typical religious programs and Filipino homes display the finest traditions of hospitality in entertaining guests with the finest food and drinks. Contact Person Pamela Flores (City Tourism Officer) Tel. No. (63 45) 322-0507/892-2212/2213 loc 195

Lenten Procession
Date Holy Wednesday and Good Friday
Venue Baliuag, Bulacan
Description A lavish display of religious fervor that only the people of Baliuag can manifest in a hundred richly adorned giant carozas depicting the passion and death of Jesus Christ. It is held every Holy Wednesday and Good Friday. The procession starts at 5:00 in the afternoon. Contact Person Rosie Bautista Tel. No. (63 44) 767-2538

Lubenas
Date December 16-24
Venue Nationwide
Lubenas is a unique and quaint tradition where a procession of lit lanterns is held for the nine consecutive nights before Christmas (December 16-24), which is also the same period for the simbang gabi (dawn mass). The reason people do the lubenas is the same reason they do the simbang gabi - to mortify the flesh in preparation for the nativity of Christ. It’s no easy task, after all, to stay up late for the lubenas and then wake up early for the simbang bengi. (Our Kapampangan ancestors learned this from their strict Spanish cura parroco.) Source: Robby Tantingco, Center for Kapampanga Studies, Holy Angel University, Angeles City

Maitinis Festival
A religious Christmas lantern procession held every Christmas Eve, Maitinis is one tradition that has survived in a few Pampanga towns that include Mabalacat. The barangay patrons are processioned, accompanied by lanterns and choirs singing 'Dios Te Salve'. The prusiyon ends in the church courtyard, and prizes are given away to the Best Lantern, Carroza, Delegation, etc.

Misa de Gallo (Dawn Mass)
Date Dec 16 - 24
Venue Nationwide, N/A
Description The smell of charcoal-baked bibingka and puto bumbong (traditional rice cakes) ushers in the celebration of the Dawn Mass or Misa de Gallo when Catholics all over the country wake up at dawn, dressed in their finest, and flock to the church to hear mass on the first day of a 9-day novena which culminates on Christmas eve. With church bells ringing at 4:00 a.m. on December 16, the whole country officially starts the world's longest Christmas season with a Misa de Gallo which literally means "Mass of the Rooster." It was said to have been introduced in the country by a Spanish friar in the 18th century as thanksgiving Mass for a bountiful harvest. The Mass was held at dawn so to allow farmers to go to work after the ceremony. The priest also scheduled the end of the novena to coincide with the "Noche Buena" celebration during Christmas eve. In earlier days, a brass band played Christmas music around town while priests knocked on doors to wake up the faithful in time for Mass. Today, while still called dawn Mass, the rite has undergone changes and sometimes even held at night. Of course, the tradition is not complete without the feast of native delicacies, such as charcoal-baked bibingka (rice cake), puto bumbong and salabat (ginger tea), that can be bought from stalls that usually line church courtyards. The tradition is a significant moment not only because it strengthens relationships among family members but also because it is the time where faith is intensified (Source: Phil. Daily Inquirer, Dec 17, 2004 issue). RELATED INFORMATION: In Mabalacat, Pampanga, the parish choir still performs the so-called pastorella, a colonial-era collection of church hymns sung only during this time of the year - all performed with violins and operatic flourish. It is said that Mabalacat is the only place where they keep the pastorella alive.

Moro-Moro Zarsuela
Date February 19
Venue Baler, Aurora
Description Presented on February 19 (Aurora Day) in Baler, Aurora, the Zarsuela is an interplay of drama and dance. Taking three days to complete (although it could be shortened to a day), the Zarsuela performed here is composed of several acts that revolve around the main theme of Moro-Moro or Moslem-Christian conflict. It presents slightly different variations for the Moro-Moro theme year after year. The roles of princes and princesses, warriors and laymen for both the Christian and Moslem sides are performed in dance, while a narrator accompanies the pantomime act. What makes this particular performance more dramatic is that real knives and bolos are used. Often in the heat of the presentation, miscalculations result in knife and bolo gashes. Both actors and actresses participate in this particularly sensitive and dangerous sword-play. Only beautiful, graceful ladies and handsome men are chosen and trained for the theater. Indeed, this is a cultural theater that demands talent, beauty, skills and courage from the actors, and highly skilled and experienced trainers are needed to create this unique style of Zarsuela. Contact Person Michael Palispis (Provincial Tourism Officer) Tel. No. (63 42) 209-4373/4211

Pabasa
Date Holy Week
Venue Nationwide, N/A
Description Everyday during Holy Week until Maundy Thursday, groups of old women and a scattering of men and younger people gather to sing the life story of Jesus Christ - as read from an ancient book called 'Pasyong Genesis' - in makeshift altar built in the town's side streets or in private homes or village chapel. The devout among the participants in this melodic vernacular chanting are there to fulfill a vow like the quick recovery of a sick or ailing relative. The singing is paced so that the entire book is read out by Maundy Thursday. The book narrates in verse form the story of Chirst from nativity to His crucifixion and resurrection. In addition, it contains some stories from the Bible, such as the creation of the world (or genesis), the deluge, and the apocalypse. The churches then take over with the rendering of the Seven Last Words on Good Friday. The hermana mayor, the sponsor of the Pabasa, may serve more than snacks to those who have participated in the ritual and brought in the blessing of the Lord(Credits: Filipino Heritage: The Making of a Nation).

Pampanga Day / Aldo ning Kapampangan
Date Dec 11
Venue City of San Fernando, Pampanga
Description The province of Pampanga celebrates its official founding in 1571 as the first province of Luzon on December 11 every year. The annual celebration is called "ALDO NING KAPAMPANGAN" which features a weeklong event such as tourism and trade fair, cultural performances and the annual awarding ceremony called Most Outstanding Kapampangan for the benefit of local personalities who distinguish themselves in various fields of interest. Among the highlights of the celebration is the holding of the grand Sinukwan Festival - a street-dancing parade and competition among various schools, institutions and other sponsors. Contact Person Ian Mejia (Provincial Tourism Officer) Tel. No. (63 45) 961-1780/861-2609 Email wacky_ian12@yahoo.com Position Provincial Tourism Officer Website www.pampanga.gov.ph

Panata
Date Holy Week
Venue Nationwide, N/A
Description During Holy Week, the streets are alive with people who demonstrate their vows of repentance, or 'panata'. There are different ways of keeping this vow. Some take part in the Sinakulo, a theatrical dramatization of Christ's passion translated from Spanish passion plays into the vernacular. Others go through self-flagellation. These are the flagellantes who have promised to go through this ordeal to repent for their sins, or as a sacrificial act in thanksgiving for a favor granted or favor requested. Another form of penitence is having oneself hung from the cross. In some places like in Brgy. San Pedro Cutud, City of San Fernando, Pampanga, some persons are actually nailed to the cross. The penitent usually lives through this ordeal, but many of them lose consciousness from excruciating pain. Others are simply tied to the cross (Credits: Filway's Philippine Almanac).

Philippine-Spanish Friendship Day (Fil-Hispano Day)
Date June 30
Venue: Aurora
A Senate bill sponsored by Senator Edgardo J. Angara, the “Siege of Baler”, and the events it triggered more than century ago, is now officially part of Philippine historical celebrations. June 30 of every year is celebrated as Philippine-Spanish Friendship Day. The highlight of the celebration focuses on the re-enactment of the war-epic Siege of Baler that marked the town’s history at the helm of the Philippine-Spanish war. RELATED ARTICLE: Baler Church (Church of San Luis de Tolosa) occupied a prominent chapter in Philippine history when for almost a year (from June 27, 1898 to June 2, 1899), it became the garrison for four Spanish officers and fifty men who staked out at he church to defend the area from Filipino revolutionaries, unaware that the Philippine Revolution was over and that Spain had already ceded the Philippines to the United States. Offer of peace and demands for surrender were refused on five occasions by an emissary of General Rios on May 29. Instead of treating them as prisoners-of-war, then President Emilio Aguinaldo issued on June 30, 1899 a decree ordering the revolutionaries to grant the Spanish soldiers safe conduct pass. Broken by starvation and tropical diseases, the depleted command of 33 men arranged a truce with the Filipino insurgents and marched out of this church across the mountains to Manila on June 2, 1899. The surviving soldiers then sailed for home and were honored as heroes by Queen Regent in the name of Alfonso XIII and the Spanish nation. In June 2002, the Philippine Senate passed a bill proclaiming June 30 as Fil-Hispano Day to commemorate what is now known as the historic "Siege of Baler".

Ramadan
Venue Nationwide
Description Ramadan is the holy month of fasting from food, drink and pleasure while the sun is out. Ramadan focuses on repentance and breaking sinful habits, in order to achieve oneness with their neighbors and with Allah. The end of Ramadan is Eid'l Fitr, as known as Hariraya Poasa. It is the most important Muslim holy day. This joyous occasion is a celebration of the attainment of enhanced piety. Celebrations are observed with special prayers in mosques, followed by a khutba, the Islamic sermon. Festivities and merriment start after the prayers and visits to the homes of friends and relatives - a way of thanking Allah for all blessings. It is also a time to commune with friends and family and partaking of food. The first Eid was celebrated in 624 CE by the prophet Mohammad with his companions and relatives after the victory of the Battle of Badr.

Salubong
Date Easter Sunday
Venue Nationwide, N/A
Description Usually held after the 5:00 a.m. mass, just about the crack of dawn of Easter Sunday, or a day before, two processions leave the church and converge at a central point marked by a huge four-posted roof with a vertical clearance of about three meters, called the 'galilea'. In a procession called 'pasko ng salubong', the meeting of the Risen Christ and His mother on Easter morning is dramatized. The moment when Christ meets His mother is called 'pagbati.' At the center of the galilea, right above the point where the images are to meet, is a huge heart of flowers with four opening points. Inside is a pretty little girl dressed as an angel who will then perform the traditional unveiling of the Blessed Mother, symbolizing the end of her mourning as she stands face to face with the Risen Christ. The festivity usually culminates in a colorful fireworks display. (Credits: Filway's Philippine Almanac)

Santacruzan
Date Month of May
Venue Nationwide
Description Santacruzan (Holy Cross Festival) is considered the queeen of Maytime festivals. It begins with a rosary novena in honor of the Holy Cross. Each night of the novena is assigned to an hermana, a member of the organizing committee, which is headed by the hermana mayor. The culminating event of the Santacruzan is a grand religio-historical procession commemorating Queen Helena's finding of the Cross. During the procession, young women in appropriate, lavish costumes personify Biblical characters and symbols of the Christian faith: Reyna Abanderada (Queen with the Standard), who carries the Philippine flag symbolizing the Christian Army, Reyna Justicia (Queen Justice), who is blindfolded, Divina Pastora (Divine Shepherdess), who carries a shepherdess' crook, Reyna de las Estrellas (Queen of Stars), who carries a wand topped by a star, Reyna de las Flores (Queen of Flowers), who walks with a canopy of flowers. There as also young girls dressed as angels. But the central figure in the procession is Reyna Elena (Queen Helena), accompanied by a little boy representing the young Constantine. Devotees walk with the procession with lighted candles singing the theme song "Dios Te Salve" (Hail Mary). According to legend, Queen Helena, mother of the Roman Emperor Constantine, took it upon herself to recover the original cross upon which Christ died. After many false leads, shem came upon fragments of the true cross, which she brought back to Rome. (Source: Fiesta! Fiesta! Festival Food of the Philippines book)

Semana Santa (Holy Week)
Date Holy Week
Venue Nationwide, N/A
Description A week-long event honoring Jesus Christ's death on the Cross. The Palm Sunday is held on the fifth Sunday of Lent where churchgoers bring palm and leaves to re-enact the arrival of Jesus Christ in Jerusalem. Holy Thursday is held with a Visita Iglesia where Catholics visit at least 7 churches. A "Pasyon" or narration of Christ's life through singing is held. On Good Friday, believers re-enact the sufferings and death of Christ on the Cross. Easter Sunday is highlighted by "Salubong" or dawn processions held in various parts of the country. (Credits: NCCA) In colorful and dramatic rituals, Catholic Filipinos join the entire Christendom in the observance of Holy Week, or Semana Santa. Some of the rituals bear touches of Spanish and Mexican influences and are espoused by the church; some seem to be rooted in the deep, fanatical, and traditional fervor of the penitent to atone for their sins. Although the basic rituals are practiced all over the archipelago, variations do occur depending on the parish, town, or people concerned. Some of the rituals include: Kumpisal ng Bayan (confession of the town), Palaspas (Palm Sunday), Pabasa (chanting of Christ's passion), Via Dolorosa (procession of holy images), Via Crucis (Way of the Cross), Visita Iglesia (church visit), and Paghuhugas (Washing of the Apostles' Feet). (Credits: Filway's Philippine Almanac)

Serenata
Date December 29
Venue Betis, Guagua, Pampanga
A charming Kapampangan folk tradition where two or three local brass bands try to outdo each other by alternately playing tunes until the wee hours. Some of the musical pieces they play come from classical Italian operas taught to them by the early Thomasites. Source: Robby Tantingco, Holy Angel University, Angeles City

Sinakulo
Date Holy Week
Venue Nationwide, N/A
Description The Sinakulo, as a Lenten play of the life, passion and resurrection of Jesus Christ, took root in the first decade of the 18th century during Spanish occupation. The play is actually nothing but a dramatization of the Pabasa, characterized only by long stretches of dialogue between Christ, Mary and other important characters. It is usually staged from Ash Wednesday to Easter Sunday in many barrios in makeshift platforms (today it is held on Holy Monday to Maundy Thursday). It originally opens with the creation of the world and ending with the triumphant coronation of the Virgin in heaven - as culled from the book called Pasyong Genesis. A shorter version features the agony of Christ in the garden to the crucifixion.
 

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Sisig Festival
Date December 2 - 3
Venue Angeles City, Pampanga
Description The Giant Sisig Festival in Angeles City scores a culinary and gastronomic feat as it introduces in 2005 176 ways of cooking the much-loved, pre-colonial Kapampangan dish (the number stands for the 176th founding anniversary of the city). A variety of Sisig entries weighing 600 kilograms slumped on a giant plate measuring 16'x32' are displayed before more than 20,000 spectators at the Nepo Mart grounds. The popular classical dish is usually a concoction of boiled and chopped pig ears and cheeks seasoned with vinegar, calamansi juice, chopped onions and chicken liver (more likely served in sizzling plates). It was Aling Lucing's, owned by 'sisig queen' Lucita Cunanan, that established the city as the Sigig capital in the country way back in 1974. Today, a variety of preparations include sisig ala pizzailo, pork combination, green mussels or tahong, mixed seafood, ostrich sisig, spicy python, frog sisig, Tokwa't Baboy, among other dishes. No drinking session or family dinner is complete without the sisig and it is now a centerpiece of local social functions. From a pregnant woman's snack of unripe sour fruits in the olden days to a bar chow and family viand in recent decades, sisig has truly gone a long way. Other activiies include: dance competition, body painting, Kite Team exhibition, motor bike show, Volkswagen show, street parade, etc. (Credits: Phil. Daily Inquirer, column by Tonette Orejas, Dec. 5, 2005) . For further details, pls visit Angeles City Tourism Office, Tel. No. (63 45) 322- 0507/ 892-2212/2213 loc 195

RELATED ARTICLE:

Death and sisig
By Robby Tantingco

The first time that sisig was ever recorded in history was in 1732, in a Kapampangan dictionary compiled by an Augustinian friar, Diego Bergaño. (The Spanish missionary served as parish priest of Mexico, Pampanga in 1725-1731, where he most likely encountered the dish.)

In his dictionary, Bergaño defines sisig as a "salad, including green papaya, or green guava eaten with a dressing of salt, pepper, garlic and vinegar." "Manyisig" means "to make salad" while "mapanisig" is "one who makes a lot of salad, or frequently eats salad, or picks tidbits of it."

The sisig of our ancestors is the equivalent of our vegetarian salad today, no meat, just green fruit soured further with vinegar, tempered with salt and spiced with pepper and garlic. They probably ate it as a regular side dish ("tiltilan") , and maybe as cure for nausea.

It's quite possible that the word "sigang"—that sour soup dish so popular among Filipinos and other Southeast Asians—came from the contraction of "sisigan" ("to make it sour"). In ancient times, sigang was the easiest complete meal to prepare; even fishermen who went out to sea for days probably carried with them basic cooking implements so they could cook "sigang" right there on their boats. It was all too easy to prepare: they just boiled water in a pot, threw in anything they'd caught (clam, shrimp, fish, bird or fowl), and added any green fruit (santol, guava, tamarind, kamias, mango, citrus, tomatoes, and any pickings from trees growing in mangroves and forests).

Over the years, sisig evolved from being just a salad to being main dish, when our ancestors started putting meat in it, like pig's ears and pig's cheeks. That's the sisig I came to know as a child, back in Mabalacat. My mother boiled pig's ears and jowl, chopped and minced them and then mixed in chicken liver and pig's brain and of course onion, salt, pepper and calamansi. The sound of the crunchy cartilages between my teeth and the soft mayonnaise-like texture of liver and brain melting in my mouth—that was what the traditional sisig was all about. It was no longer the sourness that defined it, but the chopped pig parts.

And then came Lucia "Aling Lucing" Cunanan of Angeles City. She further redefined sisig by introducing two features in the preparation: broiling or grilling the pig parts after boiling them, and then serving the dish on a sizzling plate. She had retained all the elements of the traditional sisig (chopped meat sprinkled with calamansi juice) but it was the sizzling plate that revolutionized the Kapampangan sisig and made it a national sensation, catapulting the obscure little lady from the railroad tracks to national fame.

Aling Lucing also revolutionized Kapampangan eating-out habits by not serving her sisig in a fancier place. "Crossing" became the most popular destination in the region as celebrities, government officials and rich families risked their lives, their reputations and their expensive cars by flocking to Aling Lucing's open-air eatery on the old railroad tracks, close to a squatters area, where the tangled web of narrow alleys could easily hide thieves, assassins and drug addicts.

Because Aling Lucing made her sisig so irresistible, Kapampangans threw all their vaunted snobbery and vanity to the wind and went where the food was good. Before, Kapampangans ate out only in air-conditioned and fashionable restaurants; they shunned humid and unsanitary canteens. Today, it doesn't matter what the place looks like, as long as the food is good. This is good news for Kapampangan entrepreneurs because a restaurant business no longer requires a huge capital; they can actually just convert their backyard or the vacant lot beside their house or even their garage into an eating place, and the customers, who care only for good food, would certainly not mind. I can cite a few examples: Jojo's, Razon's, Corazon's, Kabigting's, Cely's, Grill 99, Luring's, and all those popular but still nameless eateries all over the province.

It was Aling Lucing who started all that.

Today her stall at the railroad tracks is draped in black. They should put a marker there so that people will not forget how this humble spot has spawned a whole industry around the Philippines and even in many parts of the world. Sisig is now perhaps the most popular Filipino dish, more popular than the adobo. Cooks everywhere have concocted their own sisig versions, using bangus, tuna, tofu, mussels, squid, chorizo, chicken, and even frog, ostrich and python. Some have experimented with frying instead of boiling and broiling, and others have introduced egg, chicharon and many different nuances, but what has remained as the defining element is the sizzling plate. That's exactly the one master stroke of culinary and marketing genius that we can all attribute to the late Aling Lucing.

Five years ago, on May 17, 2003, Angeles City started the Sisig Festival, which featured a giant sizzling plate on which HAU-HRM students cooked tons of sisig which was later served to the thousands of revelers. The festival was so successful that the city council promptly passed a resolution declaring Angeles City as the "Sisig Capital of the Philippines. " No other town or city objected or complained then; none has challenged it since.

Now that Aling Lucing is dead, she has certainly become larger-than- life. The annual sisig festival will most likely keep her memory and legacy alive, probably even start weaving a legend around her. There is a certain symmetry and poetry in the life and death of Aling Lucing: she had used a knife to create the dish that gave her fortune and fame, and a knife was used to take it all away.

As the case continues to unravel in the next few days, we who consider her a Kapampangan cultural icon cannot help being dismayed with newspaper reports about who the suspect might be. They were an octogenarian couple, for God's sake. How could an octogenarian ever deserve dying such a violent death, or be ever capable of committing such a violent murder?

Next time you order sisig, take time to appreciate the ancient origins of this original Kapampangan dish, and don't forget to say a prayer for that little old lady whose sad and sordid ending will always be part of the sisig story.

Sto. Nino Fiesta
Date Last Sunday of February
Venue Guagua, Pampanga
Description Held every last Sunday of February, fluvial parade takes place on the eve of the festival. Adding to the occasion's excitement is the Ati-Atihan street dancing parade with a mixture of native dances and rituals to add color and sounds to the event. Contact Person Ian Mejia (Provincial Tourism Officer) Tel. No. (63 45) 961-1780/861-2609

Subic Bay Legendary Wilderness Adventure
Date April 22 (Earth Day)
Venue Subic Bay Freeport, Zambales
Description Sponsored by Legend International Resorts, Inc. and coinciding with the annual Earth Day celebration, the Subic Bay Legendary Wilderness Adventure brings together adventure seekers, travel enthusiasts and sports-minded people all over the country to compete against one another in several adrenalin-packed activities involving mountain biking, kayaking, mountain survival skills, tree rappelling and mountain trekking. The event is meant to promote awareness and preservation of Subic's natural wonders by holding sports and adventure competitions. Contact Person Khoo Boo Boon Tel. No. (63 47) 252-1888

Tigtigan, Terakan Queng Dalan
Date Last Friday and Saturday of October
Venue Angeles City, Pampanga
Description Held every last Friday and Saturday of October, the celebration of Fiestang Kuliat culminates with the ever popular TIGTIGAN, TERAKAN QUENG DALAN which features singing and dancing in the street. It is the local version of the Mardi Gras. Local celebrity bands keep visitors entertained all night long. Food stalls of various cuisine fill the street along the entertainment district of Brgy. Balibago for the duration of the festival. The event is organized by the Angeles City Tourism Office in cooperation with Kuliat Foundation. Contact Person Pamela Flores (City Tourism Officer) Tel. No. (63 45) 322-0507/892-2212/2213 loc 195

Tsinelas Festival
Date Aug 25
Venue Gapan City, Nueva Ecija
Description To mark the anniversary of the town's cityhood, Gapan City holds its annual Tsinelas Festival until August 25 with street dancing, parade of floats decorated with regular to gigantic 7-ft slippers and now the famous slippers bazaar. The festival is aimed at bolstering the new city's claim as the North's Slippers Capital - it being the country's bigest producer of slippers using synthetis materials. Among the producers are Gomez Footwear (044 - 976-4109) and El Natividad Footwear Supply (044 - 486-0304). Contact Person Engr. Ricardo Hernandez
Tel. No. (63 44) 486-0513

Via Crucis
Date Good Friday
Venue Nationwide, N/A
Description The parish is divided into areas called 'purok' and the Way of the Cross is enacted in each purok on Good Friday. A purok leader selects the houses which will each host a station of the cross, and the people stop at each station to pray and be one with Christ along the way. (Credits: Filway's Philippine Almanac)